Movies
First ‘Truth or Dare’ Image Lands on Death
First announced back in March was Corona Pictures’ teen horror thriller Truth Or Dare, which we just landed the first ever image from. My guess is our leading lady, who’s about to pop out of her dress, had a bad spin…
Robert Heath, who made the 2010 political drama Sus, directed the thriller “about five teenage friends who are taken hostage by a psychopath and forced to play a deadly spin-the-bottle party game.” The script has been written by Matthew McGuchan.
The cast includes a crop of upcoming young British actors including David Oakes (Pillars of the Earth), Jennie Jacques (Cherry Tree Lane), Liam Boyle (Awaydays), Jack Gordon (Fish Tank) and Alexander Vlahos (The Indian Doctor).
Get the long synopsis inside.
“Five teenage friends are taken hostage by a vengeful psychopath and forced to play a party game with life-or-death consequences.
An end-of-year party for an ‘alpha’ group of first year university students turns nasty when a game of ‘truth or dare’ ends in humiliation for ultra-rich social misfit Felix. For five students at the gathering, this unpleasant but seemingly minor incident will have unexpectedly devastating repercussions.
Some months later, the friends meet again en route to a surprise party for Felix, who has been away traveling. Arriving at the venue – an old hunting lodge – they are met by Justin, Felix’s charismatic older brother, who explains that Felix will be late for the party. He persuades the gang to join him in getting drunk in his sibling’s absence, but psychopathic rage bubbles beneath Justin’s charming exterior, and the real reason for the gathering is revealed: Felix has committed suicide, and Justin is determined to find out why.
Anger explodes into violence as Justin overpowers his guests and a brutal and grueling game of ‘truth or dare’ ensues. Justin’s army training and sociopathic tendencies have equipped him well for the task of torturing his victims until he gets an answer and as the terrified hostages are questioned one by one, cracks appear as the friends turn against each other in desperation.
Their only hope is to work together and turn the tables on their assailant, even if they must risk their lives in the process. The scene is set for a shocking denouement as secrets are revealed on both sides and the tables are turned in a blood-soaked final confrontation…“
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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