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Spielberg Still Thinks About Future of ‘Jaws’ Franchise

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With Jaws celebrating its 36th anniversary, AICN‘s Eric Vespe (aka Quint) recently got to chat with the man himself, Steven Spielberg, about the film and his career in general. We got a tidbit from the interview last week, when word got out that the Blu-ray is in the works without any sort of digital alterations (!), and now you can read the interview in its entirety right here.

Jaws is easily one of the most memorable films of all-time and it’s always been assumed that Spielberg was asked to come back for the sequel (which he turned down because hates shooting at sea). He moved onto greener pastures and left the franchise, but it seems as thought the shark that refused to work is always on his mind.

When asked about how he would have approached making a sequel, Spielberg responded, “No, no idea at all, but I have a very, very good scene which I thought would have been good for a sequel someday, which I will tell you someday because I don’t want it in print. But I’ll tell you my scene some day. Every time I think of this scene I think, ‘Hmmm, could this be another Jaws movie?’ and I have to immediately stop myself and immediately pull myself back down to Earth.

Now, the odds of him actually returning is probably slim to none, but the world would certainly be a better place for it. Each of the three follow-ups Universal made during the late 70’s and 80’s are either unwatchable or unintentionally hilarious (check past the break for the alternate ending of Jaws: The Revenge to see what I mean), and seeing him return would at least end the franchise on a sweet note – and not one that sounds like a mentally challenged lion.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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