Movies
Paul Walker Taking Over Kyle Reese Role in ‘Terminator 5’?
Aussie website What’s Playing is reporting that despite Arnold Schwarzenegger’s recent scandalous issues, Megan Ellison – who recently inherited Skynet from the bankless Halcyon – is pushing on with her plan to make a new Terminator movie.
Justin Lin (Fast Five) has been shopping around a new Terminator movie, one that Arnold Schwarzenegger has agreed to be a part of, with Universal showing the most interest at the time. While Schwarzenegger may not be yet ready to return to film after aforementioned scandal, Ellison is still working on rebooting Skynet’s dormant systems after all these years.
The site reports that Arnold does have a fairly substantial role in the new story – which is said to involve that original timeline being torn, again – but this Terminator would mostly be anchored by a new, younger male lead (Paul Walker‘s name keeps coming up – could he possibly be Lin’s pick for Kyle Reese?). Oh, and I think that’s where the rumors of the `original cast returning’ come into play – though it’s not so much the original cast as it is `the original characters’ from the original movie.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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