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[BD Selects] Witch Casts Spell For ‘Outcast’ Creature Feature

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Indomina Releasing is adding another horror-thriller to its release titles, Outcast, directed by Colm McCarthy, the gripping thriller will street via DVD and Digital On Demand on February 21 through Vivendi Entertainment, Indomina Releasing and Bloody Disgusting Selects.

The critics are clamoring for Outcast, the black magic and witchery horror starring James Nesbitt (The Hobbit) and James Cosmo (Braveheart). Mary (Kate Dickie) harbors a dark history, but must confront her past when a hunter with magical powers (Nesbitt) is assigned to capture her and kill her son. As the terrifying cat-and-mouse game continues, locals begin to die at the hands of an unknown life force and a deadly fear takes hold. When Mary (Kate Dickie) and her teenage son, Fergal (Niall Bruton), move to yet another new home, it soon becomes clear they live their lives on the run, hiding from someone or something, terrified of being found.

Trying to make new friends or connections wherever they go, Fergal finds himself caught between the affections of his beautiful and feisty neighbor Petronella (Hannah Stanbridge), and his fiercely protective mother, who will stop at nothing to protect her precious son.

Mary has strict rules that govern Fergal’s life without which chaos and terror threaten to ensue.

Their hunter is Cathal (James Nesbitt), a dangerous and terrifying man, intent on tracking down and killing Mary and Fergal. What’s more, he is using a dark form of magic to find them. Mary’s only defense is to use the same ancient form of magic in order to protect her son.

But how long will it be before Cathal manages to outsmart her? When local residents begin to be brutally murdered by an unknown life force, the sense of fear escalates. Is Cathal the beast responsible for the killings? Or is it the beast that he is trying to destroy?

Outcast DVD

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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