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RIP Bill Hinzman

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Bill Hinzman, the first zombie to lumber across the screen in George A. Romero’s Night Of The Living Dead, has sadly passed away. Details are slim right now, but it’s reported that he succumbed to cancer. Check back here for any updates.

I never get really sentimental when people in the film world leave us, but I’ve met Bill numerous times over the last decade. He was a regular at the Spooky Empire horror convention in Orlando, FL and kicked off the annual zombie walk almost every year that I went. He was always a cool guy, hanging out at the pool with everyone as the festival started winding down for the evening, and I never saw him turn down a fan for a quick photo in the hallway, an autograph, or even an interview.

He was in several early Romero films – he even DPed The Crazies – but his first scene in Night would set the precedent for the undead in one of the most well-known and highly regarded trilogies in horror history (I count Land as the start of a new one). RIP Bill Hinzman, THE FIRST ROMERO ZOMBIE.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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