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Autonomy Pictures Comes Out Playing ‘The Bunny Game’

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When we last heard any news about Adam Rehmeier’s The Bunny Game, it had been rejected for home video release by the BBFC who stated, “It is the Board’s carefully considered view that to issue a certificate to this work, even if confined to adults, would be inconsistent with the Board’s Guidelines, would risk potential harm within the terms of the Video Recordings Act, and would accordingly be unacceptable to the public.

Rehmeier responded to Bloody Disgusting at the time stating: “I think ‘The Bunny Game’ is way less disturbing than ‘Pretty Woman’. Somehow it’s more socially acceptable to glamorize prostitution under the guise of a rags-to-riches fairy tale where Richard Gere falls in love with the whore by the end of the film.” He continues, “Rodleen and I didn’t make ‘The Bunny Game’ to glamorize prostitution. It is far from an erotic film. It is a modern cautionary tale grounded in reality.

The film was eventually released in the UK and will hit the US in July from new distributor Autonomy, who will make the film their first release. Per Screen Daily, “Derek Curl, David Gregory and Lewis Tice’s new distributor aims to release “uncompromising cinema on a worldwide scale” and will handle four films this year, starting with Adam Rehmeier’s torture porn. “‘The Bunny Game’ is the last word on the torture-porn sub-genre,” Autonomy president Curl said. “I was shocked by its audacity and the raw honesty that it depicted, making me question our collective enjoyment of extreme violence in cinema. At Autonomy Pictures we are not afraid to release such a film, which will undoubtedly inspire heated reaction, because it will allow audiences to make up their own minds.

Bunny Games follows a female prostitute (Rodleen Getsic) who hitches a lift with a truck driver. The truck driver (Jeff Renfro) kidnaps the woman, restrains and forcibly strips her, and proceeds to physically and sexually abuse and humiliate her.

Julian Richards negotiated the deal on behalf of the filmmakers, ““It’s great to see the launch of the new genre label Autonomy Pictures. And I think that the acquisition of Adam Rehmeier’s uber-controversial The Bunny Game is a bold statement of intent.”

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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