Movies
[BD Review] ‘Gone’ Is The Worst Major Release I Have Seen In My Adult Life
Summit Entertainment ‘s Gone hits theaters today. I’m urging you not to go.
“Every single character is such a vacant red herring without any semblance of human logic or emotion that I almost felt myself sliding into uncanny valley. Watching ‘Gone’ is like watching the world’s dumbest person play the world’s worst RPG side mission… it just chooses to be lazy. It chooses to be boring and bad. With so much in its corner you would think it could provide at least one single entertaining moment, but it willfully declines. And that is unforgivable. It chooses to take your money without the effort or intent of living up to its end of the bargain.”
Directed by Heitor Dhalia, and also starring Emily Wickersham, Wes Bentley, Jennifer Carpenter, Erin Carufel, Sebastian Stan, and Socratis Otto, “the thriller revolves around a young woman named Jill (Seyfried) who returns home from her night shift to find her sister’s bed empty. She’s convinced the serial killer who kidnapped her two years before has come back to finish the job. But the police do not believe Jill, who knows time is running out. With no one to turn to, she sets off to find her sister and face her abductor once and for all.”
Click here for the review! And if you actually dare to go see this movie, don’t forget to check back in after you see the film with your review here!
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
4 New Horror Movies Releasing This Week Including ‘Late Night with the Devil’ at Home
‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape
‘Sting’ Review – Throwback Creature Feature Entertains With an Impressive Practical Monster
Looking for New Episodes of “Chucky” on Peacock? Here’s What Changed
“We Built Every Creature” – ‘Alien: Romulus’ Goes Heavy on the Old School Practical Effects!
You must be logged in to post a comment.