Movies
London 1888 Releases Awesome ‘Dream Warriors’ Prints
As I’m sure a lot of you have gathered over the years, I’m really big into screen prints. I barely have any room left on my walls between Mondo, Lure and, more recently, London 1888.
On February 27, 1987, A Nightmare on Elm Street 3: Dream Warriors was released in theaters. To celebrate the film’s 25th Anniversary and just in time for Monster-Mania 21, the folks over at London 1888 have released a limited edition screen-printed poster. The print measures 18×24, and is available in a standard edition of 200, or a Glow-In-The-Dark variant version that is limited to 75 prints. Both are available now at London-1888.com.
The really cool thing about this print is that if you’re attending the con, you can pre-pay and pick it up at London’s booth and get Robert Englund to sign it. If the variant strikes your fancy (and is the version I prefer), it comes signed by Englund already, which is great if you can’t make it up to Cherry Hill, NJ next weekend.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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