Movies
AFM ’09: Review and Details for the Must-See ‘Slice’!
Hiding from the IMDB is Kongkiat Komesiri’s Slice, a new horror thriller from the Philippines that has picked up some major, major buzz at the AFM. Bloody Disgusting was one of the lucky few to catch a screening and was more than ecstatic with the results. “Just trust in Komesiri’s vision because those who stick with him will be rewarded by the time the credits hit….The film carries a finale that literally will have any viewer exclaiming “holy f*cking sh*t.” Click the title for the review or check below for the trailer and sales art.
“After the police are baffled for clues as to male victims turning up sliced and dead, they are hard pressed for results as the latest victim happens to be a son of a politician. Their last resort is to confront an ex hitman named Tai, for his expertise in the field of hunting down a killer. The chase is on before a new victim turns up SLICED.”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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