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See the Birth of Evil in First ‘Wake Wood’ Clip; Don’t Miss the Los Angeles Premiere!!!

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It was announced last week that Dark Sky Films, Bloody Disgusting and Dread Central are joining forces to present the U.S. premiere of Hammer Films’ Wake Wood (review), a very Pet Sematary-esque horror thriller that will be open to the public.

This afternoon we got our hands on the first clip from the film that teases the birth of evil. Seriously, this is a pretty great Hammer flick, come join us for the premiere!

If you’d like to catch a theatrical presentation of this pretty great flick tickets are now available for the Thursday, June 16th premiere that will take place @9PM at the famous New Beverly Cinema (7165 West Beverly Blvd. Los Angeles, CA 90036). An extremely limited amount of tickets are available for purchase here.

There will be a very special appearance and Q&A with director David Keating, and each fan will receive a limited edition poster (maybe you can get it signed?)

Inside you’ll find more details on the film, along with the of the official U.S. trailer.
The heart-pounding new film from the reborn and revered Hammer Films, WAKE WOOD tells the story of Patrick and Louise Daley (Aiden Gillen and Eva Birthistle), whose 9-year-old daughter, Alice (Ella Connolly), is killed in a horrific dog attack. To escape their grief, the devastated young parents move to the remote rural Irish community of Wake Wood (the movie was shot on location in County Donegal, Ireland). Sensing Patrick and Louise’s loss, the strange people of Wake Wood introduce the couple to a bizarre pagan ritual that will bring Alice back from the grave – for three days only. The Daleys find the idea disturbing and exciting in equal measure, but once they agree to terms with Arthur, the village’s mysterious leader, a far bigger question looms: What will they do when it’s time for Alice to leave them forever?

Wake Wood will also be available on DVD July 5.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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