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What’s the Best of the Worst? ‘Schlock’ Knows…

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Earlier today we came across a horror website called Schlock Around The Clock, what we didn’t know was that the owner, Michael Adams, is now only reviewer over at Empire Magazine, but also a writer prepping his first horror book — also titled SCHLOCK AROUND THE CLOCK. What the “project” is about will definitely interest the lot of you, read on for the skinny.
SCHLOCK AND AWE

In her seminal essay Trash, Art And The Movies, legendary film critic Pauline Kael said that part of the romance of film was meeting other fans who felt as you did.

“You know each other at once because you talk less about good movies than about what you love in bad movies,” she wrote.

Empire magazine critic Michael Adams has taken that notion to the extreme with a project he calls Schlock Around The Clock.

After having to watch the Duff sisters’ Material Girls in the line of reviewing duty in December 2006, Adams was shocked to then discover that the movie was at the Number 1 spot on the IMDB’s Bottom 100.

“Sure it was crap,” Adams says. “Utter, utter crap – but was it the worst movie ever made? I couldn’t shake the question.”

An obsession was born, to answer for himself: “What’s the worst movie ever made?”

Starting on New Year’s Day 2007, he set himself the task of watching at least one terrible movie every day for the entire year – while also balancing two jobs, his own scriptwriting ambitions and raising a new baby daughter.

He looked at the IMDB’s most hated, Razzie winners, infamous flops, grindhouse slime, A-list vanity projects and took on the CVs of the likes of Ed Wood, Andy Milligan, Doris Wishman, Al Adamson and other schlockmeisters.

The result is a book called Schlock Around The Clock, which traces Adams’ quest to tackle a mountain of tapes and discs, all bought by running his Visa card waaaay into the red.

And, adding to the degree of difficulty, Adams watched the schlock in the order dictated by a hand-cranked “Bad Movie Bingo” machine, meaning he’d never know whether he was going to get a Robot Monster or a Showgirl next.

“It was funny, frustrating and almost always freaky,” says Adams of the never-ending plasma-screen parade of martial arts morons, bouncing bimbos, reefer madmen, breakdancers, juvenile delinquents and megalomaniacal disembodied brains he witnessed.

“And what you forget is how many big stars and filmmakers have slipped into utter dross – or have learned by starting out in trash and working their way up. You know, like J.J. Abrams doing the sound effects and music for Don Dohler’s Nightbeast when he was 16, or John Travolta as a melting bit player in The Devil’s Rain. No-one in Hollywood’s immune from a bit of schlock now, then… or again.”

Over his year of schlock, Adams’ day jobs saw him go face-to-face with the likes of Matt Damon, Michael Bay, Seth Rogen and The Rock, but his real excitement came from speaking to other bad-film aficionados, cats like Joe Dante, John Landis, Eli Roth and Edgar Wright, who gave him their recommendations for the movies that just had to be on his list.

So, what’s the worst movie ever made? Adams is pretty sure he’s found it, but he’s not saying for now.

“Put it this way, the criteria was to find a movie that was less stimulating, less enjoyable, than watching a blank screen for two hours. It was a pretty funny process getting there because, inadvertently or otherwise, a lot of movies have something worthwhile, some glimmer of entertainment or comic value. But towards the end I found one that I just could not believe had been made. And believe me, you’d rather watch paint dry than see this sucker.”

Adams is now putting the finishing touches on his tome and is in the process of finding a publisher for his comic-memoir epic.

In the meantime, he’s proving he’s nothing if not a glutton for punishment by continuing to watch bad movies, talk to filmmakers and writers about their guiltiest pleasures, and generally wax lyrical about trash at his very cool blog, also called Schlock Around The Clock.

He has recently talked to George A. Romero, David Koepp, Brian Trenchard-Smith and reviewed the likes of Space Chimps, Zombie Strippers and Snakes On A Train. But be warned – he is also the man who gave the world its first Beverly Hills Chihuahua review… and gave it a thumbs up (something Aint-It-Cool-News talkbacker can’t yet forgive).

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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