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News Bites: ‘REC’ Wedding, Animated ‘Monster,’ ‘Exorcist’ Play, Dracula Badass Again & First ‘House’ Pic

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Click on over to the official Facebook page for Filmax’s now-filming REC 3: Genesis and you’ll find a slew of behind-the-scenes wedding photos, which is pretty much like looking through a boring wedding album. It’s hard to complain considering how awesome the first batch of stills were. Paco Plaza is behind the camera solo this time around, with Leticia Dolera and Diego Martin both starring. Watch this spot for an exclusive set report in the coming week.

The boys at /Film caught wind of a bizarre animated project from artist/director Rosto entitled The Monster of Nix, which feature the voice talents of Terry Gilliam and Tom Waits. The animated musical is about Willy, “a troubled boy who fights the destructive force of an all-devouring monster in the village of Nix.” Tom Waits voices Virgil, “a terrifying giant pitch-black swallow,” and Terry Gilliam is voicing the Ranger, “who locks himself up in terror in his forest cabin.” You’ll find a really weird teaser video inside.

Just the other day we told you about a Silence of the Lambs spoof heading to Broadway, now Los Angeles is getting one that’s more head-spinning. A John Doyle-helmed stage adaptation of The Exorcist and world preem plays by Alan Alda and Beth Henley are on tap for the 2011-12 season at L.A.’s Geffen Playhouse, writes Variety. “Agnes of God” playwright John Pielmeier adapts William Peter Blatty’s 1971 novel, also the inspiration for the famous 1973 horror pic. Production from director Doyle (“Sweeney Todd”) is slated to play July 3-Aug. 12, 2012.

It was announced last month that House of Wax and Orphan director Jaume Collet-Serra would be telling a re-imagining of Bram Stoker’s “Dracula” in Harker. Details were slim as it’s said to focus on Jonathan Harker as the Scotland Yard detective who is tracking Dracula, with the script setting up the sleuth as a potential new franchise character. Collet-Serra chatted up with Spanish site Aullidos explaining their gonna make the Count nice and evil again: “[Today is all about] vampires and very romance for girls thirteen years. But we want to bring back Dracula and demonstrate who is boss.” Hell yes! Warner Bros. is behind this little fella.

Update: Image removed at request of Relativity. Lastly, check out this teaser image from Mark Tonderai’s House at the End of the Street, which “centers on a teen girl (Jennifer Lawrence) who moves with her mom to a new town and learns that their home is across the street from a house where a double murder took place. Complications ensue when the teen befriends the massacre’s sole surviving son (Max Thieriot). Elisabeth Shue costars as Lawrence’s mom.” In theaters February 3 from Relativity Media.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Exorcism’ Trailer – Russell Crowe Gets Possessed in Meta Horror Movie from Producer Kevin Williamson

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Russell Crowe (The Pope’s Exorcist) is starring in a brand new meta possession horror movie titled The Exorcism, and Vertical has unleashed the official trailer this afternoon.

Vertical has picked up the North American rights to The Exorcism, which they’ll be bringing to theaters on June 7. Shudder is also on board to bring the film home later this year.

Joshua John Miller, who wrote 2015’s The Final Girls and also starred in films including Near Dark and And You Thought Your Parents Were Weird, directed The Exorcism.

Joshua John Miller also wrote the script with M.A. Fortin (The Final Girls). This one is personal for Miller, as his late father was the star of the best possession movie ever made.

Miller said in a statement this week, “The origins of the film stem from my childhood spent watching my father, Jason Miller, playing the doomed Father Karras flinging himself out a window at the climax of The Exorcist. If that wasn’t haunting enough on its own, my dad never shied away from telling me stories of just how “cursed” the movie was: the mysterious fires that plagued the production, the strange deaths, the lifelong injuries— the list went on and on. The lore of any “cursed film” has captivated me ever since.”

“With The Exorcism, we wanted to update the possession movie formula (“Heroic man rescues woman from forces she’s too weak and simple to battle herself!”) for a world where no one group owns goodness and decency over another,” he adds. “We were gifted with an extraordinary cast and creative team to tell a story about how we’re all vulnerable to darkness, to perpetuating it, if we fail to face our demons. The devil may retaliate, but what other choice do we have?”

The film had previously been announced under the title The Georgetown Project.

The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Ryan Simpkins) wonders if he’s slipping back into his past addictions or if there’s something more sinister at play.”

Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer) and David Hyde Pierce (Frasier) also star.

Of particular note, Kevin Williamson (Scream, Sick) produced The Exorcism.

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