Movies
[Sundance ’12]: UPDATE – Does ‘West Of Memphis’ Have New Evidence In Real Life Murder Case?
UPDATE: A press release from Damien Echols’ legal team, regarding the new case information detailed in the film, is after the jump.
Premiering today at the Sundance Film Festival is a new documentary written and directed by Academy Award nominated filmmaker, Amy Berg (Deliver us From Evil) and produced by first time filmmakers Damien Echols and Lorri Davis, in collaboration with the multiple Academy Award winning team of Peter Jackson and Fran Walsh. West Of Memphis tells the untold story behind an extraordinary and desperate fight to bring the truth to light. This of course is all about the (now proven in court) erroneous incarceration of the “West Memphis Three”.
Now, there are emerging reports that the documentary actually presents new evidence in the murder case. Per Deadline, “I’m hearing rumblings here in Park City that the Sundance documentary West of Memphis will include some new important evidence obtained within the last month that could have direct bearing on the future of the case… Press that screened the film in New York and Los Angeles last Friday were told that a scene was missing from the movie, but weren’t given specifics. I’m hearing the new scene will be included in the print of the film shown for the first time at Sundance this morning at 8:30 AM at a press and industry screening at the Holiday Village. The film has its official premiere today at 4:45 PM at the MARC Theater.”
In the film, “starting with a searing examination of the police investigation into the 1993 murders of three, eight year old boys Christopher Byers, Steven Branch and Michael Moore in the small town of West Memphis, Arkansas, the film reveals the story from the inside. West of Memphis uncovers new evidence surrounding the arrest and conviction of the other three victims of this shocking crime – Damien Echols, Jason Baldwin and Jessie Misskelley; all three of whom were teenagers at the time of their arrests and all three of whom were imprisoned for crimes they did not commit.”
“(Mountain Home, Arkansas – January 20, 2012) Terry Hobbs’ nephew, Michael Hobbs Jr., allegedly told his friends “my uncle Terry murdered those three little boys,” according to declarations under penalty of perjury recently given to Damien Echols’ defense team. The three new witnesses were polygraphed about what they stated Michael Hobbs, Jr. told them.
“One day Michael picked us up in his truck. He was very quiet and upset. Michael then said to us, ‘you are not going to believe what my dad told me today. My Uncle Terry murdered the three little boys.’ According to Michael, his dad called this ‘The Hobbs Family Secret’ and he asked us to keep it a secret and not tell anyone.”
Another witness stated, “One night last winter, Michael and I were playing pool in his basement when the third friend asked about the West Memphis Three case which had been in the news. Michael responded by saying, ‘My uncle killed three kids in West Memphis.’ Michael was dead serious when he said this.”
The three little boys referenced in the declarations were found brutally murdered in West Memphis, Arkansas in 1993. DNA consistent with Terry Hobbs, stepfather of victim Stevie Branch, was later discovered in the knot of a shoelace used to restrain victim Michael Moore. Three eyewitnesses have also provided sworn statements that they saw Terry Hobbs with the three children on the day of the murders, immediately before they disappeared. Terry Hobbs has maintained that he never saw the three boys the day they were murdered.
A third witness stated that he was at Michael Hobbs Jr’s home in 2003 or 2004 when he was told by Hobbs Jr. that the two of them could not go down to the basement to play pool because Michael Hobbs Sr. was down there having a conversation with Hobbs Jr.’s uncle. The witness said that he “ listened with Michael Jr. at the top of the stairs. I heard two men talking. One appeared to be very upset even crying and he said ‘I am sorry, I regret it.’ The other man was trying to console him and said, ‘You are in the clear, no one thinks you are a suspect, those guys are already in prison.’”
Echols’ attorney, Stephen Braga of Ropes & Gray, said: “This is critical new information which reveals that the people closest to Terry Hobbs, his family members, may know much more about Terry’s involvement in the West Memphis Three case than they have ever acknowledged. If this is the Hobbs Family Secret, then what a horrific cost that secrecy has imposed on the lives of so many people – perhaps most significantly Pam Hobbs who deserves to know what really happened to Stevie on the night of the murders, as do the Byers and Moore families. With the secret now out, let’s hope that someone in the Hobbs family has the heart, the soul and the courage to come forward to tell the truth directly. In the meantime, I have given our investigative materials concerning these new witnesses – along with other related information – to District Attorney Scott Ellington for his review and action.”
The new witnesses came forward after seeing a recording of the CBS News 48 Hours special on the West Memphis 3 case. At the end of that broadcast, attorney Stephen Braga was asked what’s next in the effort to gain exoneration for the three after their plea deal. He responded: “Hopefully, some day we will find that smoking gun, that key piece of inculpatory DNA or a deathbed confession or a witness will come forward and say, “You know, this is really what happened.”
Hearing those words moved the new witnesses to contact the West Memphis 3 Confidential Tip Line just a few weeks ago. The new witnesses were then interviewed by the Echols’ defense team, signed declarations under penalty of perjury and passed polygraph examinations concerning what they say Michael Hobbs Jr. told them.”
Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.
This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.
Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.
The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.
You could really confuse someone by editing this scene into Paranormal Activity.
Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.
In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.
In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.
Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.
However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.
Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.
Not a good idea.
Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).
Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.
A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.
At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.
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