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[BD Review] ‘Chronicle’ Is Frustratingly Close To Great, Misses By A Hair

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Opening in theaters today is director Josh Trank’s Chronicle. The film sets out to challenge your perceptions of what exactly constitutes a superhero movie just as much as it sets out to redefine the “found footage” genre (or conceit, as some would say). While it’s not entirely successful at the latter, it pulls off the former quite well.

As far as Josh Trank is concerned, this is a hell of a debut. Chronicle is a hugely ambitious film for a first feature and I’m surprised it gets as much right as it does. He’s definitely a gifted guy who knows how to compose a shot (and a set piece) and I look forward to seeing more from him. Even though logic is totally and ridiculously out the window by the time the film hits its climax… man, what a climax. Ultimately, awesome wins out.

Ultimately, Chronicle still feels like a bit of fresh air, and you’ll likely have a blast checking it out. Click here for the review! And don’t forget to check back in after you see the film with your review here!

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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