Movies
[BD Review] ‘Chronicle’ Is Frustratingly Close To Great, Misses By A Hair
Opening in theaters today is director Josh Trank’s Chronicle. The film sets out to challenge your perceptions of what exactly constitutes a superhero movie just as much as it sets out to redefine the “found footage” genre (or conceit, as some would say). While it’s not entirely successful at the latter, it pulls off the former quite well.
“As far as Josh Trank is concerned, this is a hell of a debut. Chronicle is a hugely ambitious film for a first feature and I’m surprised it gets as much right as it does. He’s definitely a gifted guy who knows how to compose a shot (and a set piece) and I look forward to seeing more from him. Even though logic is totally and ridiculously out the window by the time the film hits its climax… man, what a climax. Ultimately, awesome wins out.”
Ultimately, Chronicle still feels like a bit of fresh air, and you’ll likely have a blast checking it out. Click here for the review! And don’t forget to check back in after you see the film with your review here!
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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