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Lucifer Sings A Tune In First ‘Devil’s Carnival’ Clip

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The Devils Carnival

Below we’ve added a new clip from Darren Lynn Bousman’s The Devil’s Carnival, his 55-minute short film experience hitting the road April 5 as a 30-city rock tour turning venues into environments that tie to the movie and that will encourage audience participation. There will also be a 13-song album that gets released.

The clip features Terrance Zdunich (co-creator and star of both Repo! The Genetic Opera and The Devil’s Carnival) as Lucifer, lord of the underworld singing a little tune to Jessica Lowndes.

Terrance Zdunich, who co-wrote Repo, also wrote the music for Carnival with Saar Hendelman. Zdunich stars alongside Taryn Manning, Bill Moseley, Briana Evigan, Emilie Autumn, J. Larose, Alexa Vega, Ogre, Paul Sorvino, Marc Senter, Sean Patrick Flanery and Slipknot’s The Clown.

In the film, “sinners are invited to a theme park where they endure the repetition of their transgressions. What chances do a conniving kleptomaniac, a gullible teenager, and an obsessed father stand when facing their own moral failings? Lucifer and his colorful cast of singing carnies invite you to grab a ticket to The Devil’s Carnival to find out!

Head inside for the clip along with detailed info on the film’s upcoming roadshow! Get your tickets here now!

The Devils CarnivalSTEP RIGHT UP AND GET YOUR TICKETS… After the triumphant collaboration on 2008’s REPO! THE GENETIC OPERA, a film hailed by The Hollywood Reporter as “the next Rocky Horror Picture Show”, director Darren Lynn Bousman and writer/actor Terrance Zdunich had no where to go but down—ALL THE WAY DOWN… TO HELL. These showbiz black sheep invite you dive into the ashes with them on their newest groundbreaking film fusion event , THE DEVIL’S CARNIVAL, an exclusive nationwide road tour featuring burlesque, special personality meet & greets, a Q&A forum, a whole lot of bad behavior, sing-a-longs, costume contests and more. On screen crowds will get to enjoy never-before-seen REPO! THE GENETIC OPERA behind the scenes footage and bonus features, and most notably, an exclusive viewing of THE DEVIL’S CARNIVAL. Keep in mind, THE DEVIL’S CARNIVAL can only be seen on this exclusive tour, so you must attend a showing to witness the madness!

The past four years have proven that REPO! THE GENETIC OPERA is more than a film—it’s a cinematic experience, one that has grown an army of rabid fans. The REPO! Army has continuously nurtured the film, giving REPO! its righteous place in cult cinema history and finding homes for shadow-casts and late night showings in art house theatres world-wide. These events, along with Bousman and Zdunich’s undying need to reach back into the macabre, have spawned their new horror-rock hybrid THE DEVIL’S CARNIVAL. With their signature flare for merging the worlds of horror and rock music, Bousman and Zdunich join forces again to fire up an underworld unlike any other in this genre-bending, groundbreaking new cinema road tour.

THE DEVIL’S CARNIVAL features twelve original songs, written by Zdunich and Saar Hendelman, directed by Bousman, produced by Sean E Demott and Joseph Bishara (Insidious), and stars Victoriandustrial rocker Emilie Autumn, Dayton Callie (Sons Of Anarchy, Deadwood), M. Shawn “Clown” Crahan (of the Grammy award winning, cult metal giants Slipknot), Briana Evigan (Step Up 2), Sean Patrick Flanery (The Boondock Saints), Maggie “Captain Maggot” Lally and The Blessed Contessa (of The Bloody Crumpets), J. LaRose (Insidious), Jessica Lowndes (90210), Mighty Mike (of Mini Kiss), internet star Hannah Minx, Ivan Moody (of the chart-topping heavy metal band Five Finger Death Punch), Bill Moseley (The Devil’s Rejects), Ogre (of the legendary industrial band Skinny Puppy), Marc Senter (The Lost), Paul Sorvino (Goodfellas), Alexa Vega (Spy Kids), and Terrance Zdunich.

In THE DEVIL’S CARNIVAL, sinners are invited to a theme park where they endure the repetition of their transgressions. What chances do a conniving kleptomaniac, a gullible teenager, and an obsessed father stand when facing their own moral failings? Lucifer and his colorful cast of singing carnies invite you to grab a ticket to THE DEVIL’S CARNIVAL to find out!

TICKET PRICE OPTIONS:
1. SINNERS – $20.00 (gets you a ticket to the show)
2. CARNIES – $30.00 (ticket to the show, and a pre-signed poster)
3. RINGMASTERS – $40.00 (VIP Experience: ticket to the show, pre-signed poster, and a meet & greet)

BUY YOUR TICKETS HERE AS THEY”RE SELLING OUT FAST!

For more information visit the official website.

CONFIRMED cities and theaters showing THE DEVIL’S CARNIVAL:

4/5 – Los Angeles, CA @ Laemmle Royal Theatre
4/6 – Anaheim, CA @ The Ultraluxe Theater
4/7 – San Diego, CA @ Gaslamp Theater
4/8 – Scottsdale, AZ @ Scottsdale Ultrastar Pavilion
4/9 – Tucson, AZ @ Tucson Loft Cinema
4/11 – El Paso, TX @ El Paso Starplex
4/12 – Austin, TX @ Alamo South Lamar
4/13 – Houston, TX @ Alamo Drafthouse
4/14 – Dallas, TX @ Lakewood Theater
4/17 – Nashville, TN @ The Nashville Limelight
4/18 – Atlanta, GA @ The Plaza Theater
4/19 – Orlando, FL @ The Premiere Cinema 14 (at Fashion Square Mall)
4/20 – Tampa, FL @ The Tampa Pitcher Show
4/21 – Charlotte, NC @ The Neighborhood Theater
4/22 – Richmond, VA @ The Byrd
4/24 – Pittsburgh, PA @ The Hollywood Theater
4/26 – New York, NY @ Times Scare NYC
4/27 – Philadelphia, PA @ The Painted Bride
4/28 – South Hadley, MA @ The Tower Theater
4/29 – Boston, MA @ The Foxboro Theater
5/1 – Toronto, ON, Canada @ Toronto Underground Theater
5/2 – Toledo, OH @ Collingwood Arts Center
5/3 – Chicago, IL @ The Music Box Theater
5/4 – Des Moines, IA @ The Fluer Cinema Cafe
5/5 – Kansas City, KS @ Leawood Cinema Theater
5/6 – Denver, CO @ The Oriental Theater
5/7 – Salt Lake City, UT @ The Tower Theater
5/9 – Seattle, WA @ The Admiral Theater
5/10 – Portland, OR @ The Clinton St. Theater
5/11 – Sacramento, CA @ The Colonial Theater

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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