Movies
What a Lame ‘Under the Mountain’ Poster, First Still
I feel like I’ve entered the Twilight Zone as the first one sheet for Under the Mountain resembles incredibly lame posters like the one for Disney’s Race to Witch Mountain. This ain’t no Disney movie, or is it? In addition to the one sheet, you can also take a peak at the first official still, also quite disappointing. But alas, the film is directed by Jonathan King, who brought us the over-the-top gorefest Black Sheep, and stars one of my favorite actors, Sam Neill, who starred in such classics as In the Mouth of Madness, Event Horizon, The Omen III, Jurassic Park, and the forthcoming Daybreakers. How can is be bad?
When teenage twins Rachel and Theo investigate the creepy old house next door, they discover the Wilberforces – shape-shifting creatures that lurk beneath Auckland’s ring of extinct volcanoes. Guided by the mysterious Mr Jones and with the help of their older cousin Ricky, the twins must rekindle the unique powers they once shared if they are to destroy this ancient evil – before it destroys them.
Click the poster for a look at the first official image:
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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