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News Bites: ‘Gone’ Release, More Details & Casting for ‘American Horror’, ‘Dont Be Afraid of’ These Posters

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Summit Entertainment has picked February 24, 2012 as the release date of Heitor Dhalia’s thriller Gone, which stars Amanda Seyfried as “a young woman named Jill who returns home from her night shift to find her sister’s bed empty. She’s convinced the serial killer who kidnapped her two years before has come back to finish the job. But the police do not believe Jill, who knows time is running out. With no one to turn to, she sets off to find her sister and face her abductor once and for all.

On the TV front, Evan Peters and Taissa Farmiga (both pictured here) are joining Connie Britton and Dylan McDermott in Ryan Murphy’s FX pilot “American Horror Story,” says THR. “The thriller centers on husband and wife Ben (“The Practice” ‘s McDermott) and Vivien Harmon (“Friday Night Lights” ‘ Britton) who move their family from Boston to a haunted San Francisco home in an attempt to rebuild their family after a miscarriage and affair.

With even more details leaking, Farmiga will play Violet Harmon, the couple’s smart gothic daughter who befriends Tate Langdon (Peters), a handsome and charismatic teen described as a cult leader with movie star looks who isn’t what he seems. Living next door to the Harmons are Constance (Jessica Lange) and her daughter with down syndrome, who knows more about the house than everyone realizes. Denis O’Hare (“True Blood”) also co-stars as Larry the Burn Guy, a former resident of the creepy house.

Lastly, two new pieces of sales art (one from Bloody Disgusting, the other from Fangoria) have leaked for Troy Nixey’s Don’t Be Afraid of the Dark, which arrives in theaters August 26 from FilmDistrict (Insidious). The pic follows “Sally (Bailee Madison), a young girl who moves to Rhode Island to live with her father (Guy Pearce) and his new girlfriend (Katie Holmes) in the 19th-century mansion they are restoring. Having stumbled upon the mansion’s hidden basement, Sally starts hearing voices calling out from the bolted ash pit, imploring her to open it. Sally obliges and unwittingly unleashes something so terrible, so unthinkable, that everyone’s life – hers most of all – is placed in immediate and grave danger.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

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It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

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