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Book Review: ‘Zombie High Yearbook ’64’

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Now available at book stores everywhere from Sterling is award-winning author and Chicago native (I like him already) Jeff Busch’s “Zombie High Yearbook ’64”, a book that literally blew Ryan Daley’s mind. Before posting this review, I quickly hit up Amazon and ordered myself a copy.

Printed in blood-spattered black and white, this tribute to high school yearbooks of old is hilarious in its attention to period detail even as it celebrates the 1960s “afterlifestyle.” The civil rights upheavals of the early ’60s saw the dawn of a new, all-inclusive attitude for the nation’s youth, whether living or life-challenged. Jeff Busch captures this dynamic moment in an all-American zombie high school, when a generation of young revenants looked forward to a brighter tomorrow, filled with college, career, and family. And brains-lots and lots of brains….


As zombie-themed pop culture has slowly cannibalized the new decade, it has become increasingly difficult to tell the difference between blatant zombie cash-ins and the real zombie deal. Somewhere between the eerily legitimate World War Z and the glacially-paced hucksterism of AMC’s The Walking Dead lies Jeff Busch’s uncannily realistic Zombie High Yearbook `64, a flagrant zombie cash-in that still oozes so much damned creativity, it’s an essential addition to the coffee table of any true Zombie Lover.

Artist Jeff Busch has copy-set the book in a haunting black-and-white, and having seen my father’s high school yearbooks from the same era, I can attest that Zombie High Yearbook `64 looks exactly like the real thing. Busch has devoted sections of the yearbook to every aspect of zombie high school in the 60s, from “Clubs and Organizations”, to “Student Personalities”, even a macabre “Athletics” section, each staggered with loads of candid zombie photos. Many pages, like “Social Events: Enchantment Under the Earth” or “Support Staff: Disposal Detail” are spattered with clever, hand-written zombie captions. (One of my favorite pages is titled “Samhain Festival”, and features photos of several undead students gathered around a bonfire, with the sloppily-written caption reading “Oops! Too close,” as the bottom photo reveals that a few of the zombies have been inadvertently set ablaze.)

Although I thoroughly enjoyed Busch’s book, I was still left with a couple of questions. First, considering the subject matter, why did he choose to set the book in black-and-white rather than glorious, gruesome color? Second, if you insist on setting your zombie yearbook in the mid-60s, why not 1968, the year Night of the Living Dead was released?…..But with a book this cool, who am I to question Busch’s creative instincts? Much of his black-and-white imagery is unquestionably beautiful.

In any case, I flaunted Zombie High Yearbook `64 at a recent poker night, and everybody in attendance seriously dug it. Two friends immediately ordered it online. Simply put, if you’re someone who loves this sort of shit (and you know who you are), it’s the sort of insanely clever tome you NEED to own. Admirably genuine and profoundly amusing, it’s a masterful piece of zombie gimmickry. As zombie Principal Irwin DeBold states at the close of his sentiments, “Si vos reprehendo is edo caput capitis primoris!*”

*”If you catch them, eat the brain first.”

4.5/5 Skulls

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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