Movies
Mumblecore Legends Load ‘Pitchfork’ for Revenge
One of my favorite films at the 2008 Sundance Film Festival was Jay Duplass and Mark Duplass‘ mumblecore horror flick Baghead. While the duo have stayed mostly in the their micro-genre (Mark stars in the hilarious TV series “The League” and last year their first mainstream flick, Cyrus, was well received), the brothers are reuniting for a revenge thriller entitled Pitchfork.
The LA Times reports that Pitchfork is a dramatic thriller about the middle-aged mother of an indie rocker who, after her son is killed in a car accident, seeks vengeance on an online blogger who had peddled snark about her son (on the music site Pitchfork, hence one of the title’s entendres). Things take a turn, though, when she finds out the snarker is just a teenager.
The film contains a juicy role for the mother (Susan Sarandon is one of the actresses who’s being sought for the part) as well as the teen blogger, with Jonah Hill having discussed it with the filmmakers (he starred in Cyrus).
Whatever comes of this, consider me excited.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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