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BD’s ‘Horror Queers’ Celebrate the Best Horror of 2021 with Third Annual “Hereditaries” Awards; Vote Now!

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Two years ago, following the lack of recognition at the Oscars for horror films, Trace Thurman and I created “The Hereditaries” (named after Toni Collette’s Hereditary omission), a series of horror awards to acknowledge all of the great work being done in the genre.

The response that we received was out of this world and we immediately decided to make the awards an annual event.

Enter the third annual Hereditaries, which celebrates the amazing diversity of horror films released in 2021. Ranging from blockbusters like Candyman and The Night House to avant-garde indies like The Feast and Titane to “under the radar” releases like Shudder’s The Boy Behind The Door and The Medium, we’re shining a light on all of the great horror content that has come out during (yet another!) unorthodox year.

Here’s what you’re voting on:

  • Best Wide Release
  • Best Indie
  • Best Non-English Horror
  • Best Under The Radar
  • Best Horror TV
  • Best First Feature Director
  • Best Director
  • Best Actor
  • Best Actress
  • Best Supporting Actor
  • Best Supporting Actress
  • Best Child/Teen Actor
  • Best Ensemble
  • Best Creature Design – New for 2021
  • Best Villain
  • Best Sequence
  • Best Ending – New for 2021
  • Best Kill

Context: The 18 categories were informed by listener responses and then narrowed down by Trace and I. In order to be eligible, films had to be widely available this year (either wide theatrical, VOD or on streaming services), which sadly means no festival exclusives.

In order to keep the voting competitive, most categories were capped at five nominees and films were only eligible once per category. This inevitably means that some favourites have been left out, but this is best way to ensure a tight race. Kill your darlings, folks!

Finally, we’ve also added spoiler warnings for the last four categories, just in case you haven’t seen films like ViolationOld or Silent Night.


Click here to vote. The deadline to enter is Friday, Dec 17 at 11:59pm EST.

Winners will be announced on Horror Queers social media accounts (Facebook group, Instagram and Twitter), as well as a special Patreon minisode in early January 2022.

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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