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The Other Jurassic World: Full Moon’s ‘Prehysteria’ Trilogy Remains an Imperfect, Jurassic Delight

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prehysteria trilogy

When I was a kid, a family friend gifted me the Jurassic Park VHS. The cover was black, shiny, stamped with the iconic image of the T-rex skeleton designed by Chipp Kid. It was love at first watch; dinosaurs became my everything. I joined the masses of those caught in the ‘90s dinosaur renaissance, the period that brought us We’re Back!, The Land Before Time franchise, Tammy and the T-Rex, Theodore Rex and then some. Among the bunch included the Prehysteria trilogy, the first being the inaugural release under Moonbeam Entertainment. It was the family-oriented sub-brand of Charles Band’s Full Moon Entertainment, where they focused on content without their signature hard edge, inspired by favorites The Neverending Story, Jason and the Argonauts, and Honey, I Shrunk the Kids.

Prehysteria! follows the misadventures of miniature dinosaurs named after pop musicians: Elvis the T-rex, Paula the Brachiosaurus, Jagger the Stegosaurus, Hammer the Chasmosaurus and Madonna the Geosternbergia. The story was conceived by Pete Von Sholly, known for his work as the storyboard artist for Mars Attacks!, Darkman, Nightmare on Elm Street III and IV, and The Shawshank Redemption. The dinosaur models were designed by Andrea Von Sholly, who referenced their celebrity personas during the creation process. In Video Zone, the behind the scenes featurette included on Moonbeam’s VHS releases, she explains, “For instance, Madonna. I was thinking of the actress, the movie star, when I designed [the Geosternbergia], and made her a little more flashy.”

It was a tedious process to bring them to life, an endeavor led by David Allen Productions and Mark Rappaport in special effects. On set, each dinosaur had its duplicate and triplicate to suit the needs of each scene, whether they were radio or puppeteer operated. At times, up to 18 puppeteers would be present as they hid six feet of cable. When the character Monica has Madonna on her shoulder, a vest was worn where motors were underneath the costume.

The film was released in hopes to ride off the anticipated success of Jurassic Park, and it found its own fortune in the homes of many. It gained over $100,000,000 in rental sales, prompting a second and third installment, making it one of the biggest direct to video releases. I decided to re-watch the Prehysteria trilogy to see how this trek of nostalgia would fare.


full moon prehysteria

Prehysteria! (1993)

Directors: Albert Band & Charles Band

Directed by the father-son team, we are thrust into the world by meeting money hungry con-artist Rico Sarno (Stephen Lee). He steals five pygmy dinosaur eggs from a sacred tomb in South America, hiding them in his generic ice chest cooler. After traveling back to his California gift shop, a visiting family and their dog accidentally grab the cooler with the eggs since they own the same one.

The son Jerry (Austin O’Brien) is the first to discover the dinosaurs when they hatch in their house, and the escapades follow. His sister Monica (Samantha Mills) is a caricature of a teen girl, as she groans, “Can you believe my brother is listening to Elvis? He’s living in the Stone Age!” She also has a teen boyfriend, a relationship made bizarre from the fact that he’s a personification of the “How do you do, fellow kids?” meme of Steve Buscemi, and speaks like he was plucked out of Bill & Ted’s Excellent Adventure. Their father, Frank (Brett Cullen) is awkward and earnest, as he grieves from the loss of his wife, but it is not a heavy theme in the film. He finds romance with Vicki (Colleen Morris), who works in Rico’s gift shop.

The story revolves around them protecting the dinosaurs from being captured, and is quite predictable with cheesy dialogue galore, but it’s fun… particularly in rooting for Rico to fail. If you ever wondered if dinosaurs could boogie, there’s a sequence where you get to witness just that, to the tune of “Gonna Rock Godzilla.”


prehysteria 2

Prehysteria! 2 (1994)

Director: Albert Band

Blending the styles of Richie Rich and Problem Child, Albert Band now directs solo as we follow Brendon (Kevin Connors), the mischievous son of a neglectful father, Mr. Wellington (Dean Scofield). Brendon’s bedroom is every kid’s dream. It’s complete with a bed slide, trampoline, arcade machines and pool table… but of course, all the gifts in the world do not replace the attention he desires from his father. 

To cure his boredom, Brendon plays pranks on their mansion’s staff, Japanese chef Hiro (Michael Hagiwara) and Russian gardener Ivan (Greg Lewis), who force foreign accents, and Miss Winters (Bettye Ackerman), the dictatorial governess who demands he be sent off to military school. Cue the dinosaurs, who are accidentally shipped in a raisin crate and are found by Brendon when he’s hiding from bullies. He befriends Noami (Jennifer Harte), a street smart girl who helps him keep the dinosaurs from being taken away. An extermination team named Killum (Alan Palo) and Ketchum (Larry Hankin) also make an appearance as obstacles, but lack the intelligence to truly outsmart the kids. It culminates into Brendon and Noami trying to prepare a special birthday surprise for Mr. Wellington.

Overall, the adult characters are over the top with slapstick comedy gags that unfortunately don’t quite land, which detract from the potential of its storyline. Is it more ambitious than its predecessor, and one has to respect how much work went into having that come into fruition. However, one does wonder what kind of sequel it could have been if all the parts had come together differently.


prehysteria 3

Prehysteria! 3 (1995)

Director: David DeCoteau

The third and final film starts with a recap of the journey thus far, and sets us in the sphere of miniature golf and the McGregor family. Ella (Whitney Anderson) is a fanatic of golf and Scotland, so much so that she comes in and out of a Scottish-American hybrid accent, drops cultural facts from the country, and speaks to a framed portrait of Sean Connery as her confidant. Her slacker brother Heath (Dave Buzzota) works as a caddie but only cares about rock music and girls. Their father Thomas (Fred Willard) is an ex amateur golfer who forbids her to pursue the sport, leaving their mini putt course to drown in weeds, while her sculptor mother Michelle (Pam Matteson) acts as emotional support. 

The dinosaurs take a noticeable back seat in this one. Instead of serving as the center of this tale, they assist Ella and her family to make their new Dino Putt business a success. The villain is her Uncle Hal (Bruce Weitz), a rich pro golfer who schemes to buy their mini putt course through any means necessary. With the help of his pink polo shirt-wearing henchmen, led by caddie Needlemeyer (Matt Letscher), he tries to sabotage them even through the lengths of an arson attempt. 

With cheeky references to The Sword and the Stone, Godzilla and JFK, I find this to be the most memorable of the three. It’s elevated by the performances of the likeable Anderson, comedic timings of Willard and Weitz, and the backdrop of mini golf and dinos who cook haggis burgers.


prehysteria trilogy full moon

The Prehysteria! trilogy entertained families at the height of dinomania, but are now mostly forgotten. As a child, I remember being mesmerized by the adorable dinos. They gave me permission to dream of the possibility of having them as pets or friends. “If I can dig up the right egg, it can happen,” I’d tell myself, thinking that shoveling dirt by the dumpster was an archeological goldmine. They may not conjure the same inspiration in today’s youth, as they look more appropriate for a live action Toy Story. Hearing the characters say, “They look so real!” surely elicits a different response. 

That said, there’s still a sentimental quality that remains. With timeless plots, a great combination of character actors and a playfulness that is free of pretentiousness, the Prehysteria! films don’t deserve extinction from our memories. The original was given the Blu-ray treatment in 2018, and all three are now streaming for free on Tubi, making it a perfect time for a revisit.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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