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Close Encounters: 6 of the Scariest Extraterrestrial Nightmares in Video Games

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alien video games

A sizable chunk of my formative years were spent watching late night Discovery Channel, so I think it makes sense that I used to be unreasonably terrified of being abducted by aliens. After all, growing up in the presence of (faked) alien autopsies and sensationalist coverage of the Betty and Barney Hill incident is bound to have a few long-term ramifications. However, this irrational fear of extraterrestrials also resulted in a paradoxical fascination with all things UFO-related – especially when it came to videogames.

If it featured a Grey Alien on the box-art, you better believe that I played it and later suffered the consequences (usually in the form of vivid nightmares). Of course, not all alien visits are created equal, and some of these video game moments were more terrifying (and unexpected) than others. And with the Greyhill Incident announcement trailer reminding gamers that they should look up to the skies in dread, we’ve decided to come up with a list celebrating six of the scariest alien encounters in video games.

While not all of these are horror titles, we guarantee that these specific moments of interstellar terror will creep out fellow astrophobics like myself. That being said, we’ll be excluding memorable encounters from games like Dead Space and The Callisto Protocol, as these titles feature human victims warped by extraterrestrial forces instead of actual alien beings.

With that out of the way, don’t forget to comment below with your own favorite (or most dreaded) alien encounters in the video games you’ve played.

Now, onto the list of the scariest alien video games out there…


6. Deus Ex (2000) – Ambushed by a “Gray” in Area 51

alien video games Deus Ex

Taking place in a dystopic future where nearly every conspiracy theory is real, it’s only natural that Ion Storm’s cyberpunk opus Deus Ex would eventually have players confront the infamous Area 51 and its hostile “Grays.” While these ape-like creatures aren’t necessarily more dangerous than the game’s security robots and chupacabras, players are unlikely to forget the first time that they were ambushed by this bizarre enemy.

However, we’re placing this encounter in last place due to an easy-to-miss Easter Egg suggesting that these “aliens” are in fact genetically-engineered hybrids derived from a mix of bovine and primate DNA, with the creatures being meant to distract the public from the real conspiracies surrounding Dreamland – which kind of sounds like the real life Mirage Men conspiracy.

Of course, in a world inhabited by cyborgs and the literal illuminati, who’s to say that the Grays don’t share a bit of DNA with the interplanetary victims of the Roswell crash?


5. Ecco the Dolphin (1992): Facing the Vortex

You’d be forgiven for thinking that an adventure game called Ecco the Dolphin would be a happy-go-lucky adventure akin to a certain Pixar film, but leave it to the Hungarian developers at Novotrade International to turn what could have been a simple kid’s game into a mind-bending interactive experience that culminates in a surprising bit of cosmic terror.

If you’ve never played Ecco before, the game follows a lone dolphin as he embarks on a quest through time and space in an effort to recover his missing pod members, with our determined protagonist eventually encountering the ancient race of aliens that originally destroyed Atlantis. This absurd journey leads to a horrific climax as Ecco faces off against Giger-inspired extraterrestrials in a thrilling battle for underwater survival.

This sci-fi reveal may come out of left field, but there’s no denying that these porpoise-eating aliens traumatized at least a few unsuspecting 90s kids.


4. Fallout 3 (2008) – The Entirety of the Mothership Zeta DLC

The Fallout games have included close encounters with hostile extraterrestrials as tongue-in-cheek Easter Eggs as far back as 1997. However, it was only with the final DLC for Bethesda’s Fallout 3 that the series actually dove head-first into the terrors of being at the mercy of an advanced race of cruel beings.

Mothership Zeta may have maintained the series’ unique brand of post-apocalyptic humor, but this exaggerated take on alien abductions and human experimentation remains one of the franchise’s most memorable and harrowing experiences, allowing players to explore the titular mothership while being hunted by its Grey-like inhabitants.

It’s a decidedly eerie addition to an already-creepy title, but you’ve got to admit that using VATS to stealthily fire the disintegrator ray on unsuspecting aliens makes for one hell of a good time!


3. Prey (2017) – Jump-Scared by a First-Aid Kit

One of the seventh generation’s most underrated horror titles, Arkane Studios’ Prey features a riveting story boosted by a horrific alien outbreak. Sure, the Typhons don’t look like much in their natural amorphous form, but their preternatural ability to transform into inanimate objects makes them a force to be reckoned with – as well as a constant source of unnerving jump scares.

While these shapeshifting abilities mean that you spend the entire game in a constant state of paranoia, often wasting precious ammo on suspicious-looking chairs and boxes, you’ll never forget the first time you desperately reached for a first-aid kit only to be attacked by angry tentacles.


2. XCOM: Enemy Unknown (2008) – Becoming Part of the Chryssalid’s Life-Cycle

Die-hard genre fans might claim that Firaxis Games’ XCOM reboot isn’t a real horror game, but I’d argue that the title’s commitment to nail-biting tension as you command a squadron of vulnerable soldiers under the constant threat of extraterrestrial permadeath earns it a place among horror royalty.

If you need further proof, just look at the game’s Xenomorph-inspired Chryssalids: alien bio-weapons designed to impregnate fallen soldiers with zombifying embryos that eventually burst into new Chryssalids that repeat the cycle until your whole squad has been turned into hamburger meat.

If that’s not scary, I don’t know what is.


1. Area 51 (2005) – Walking In on a Vivisection

alien video games Area 51

Starring The X-Files’ David Duchovny and diving into a smorgasbord of popular conspiracy theories as players explore underground labs and fight the literal illuminati, Midway’s Area 51 is one of the most underrated shooters of the 2000s. It’s also a legitimately scary game, constantly reminding players that they’re dealing with forces far beyond their comprehension.

A great example of this occurs towards the end of the game, when you stumble upon a group of Greys performing live surgery on a human test subject in a horrific inversion of the classic alien autopsy tape. The only thing you can do is watch in terror as these diminutive monsters rip apart yet another victim willingly donated by a secret organization in an effort to appease these superior beings.

Now that’s horrifying.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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