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The 10 Coolest, Creepiest, and Most Stunning Horror Movie Posters of 2021

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Where movie trailers can capture an audience’s attention with a montage of scenes, a poster must do it with a single image. It needs to grab you immediately. When done well, a movie poster not only piques curiosity but there’s an excellent chance we’ll want it on our walls, too.

Whether the image matches the film or lives up to the potential teased is a different story. These particular movie posters were creative, enticing, and often breathtaking works of art.

Here are the ten best horror movie posters of 2021.


Old (Universal Pictures)

“A new trip from M. Night Shyamalan,” indeed. This single image tells you everything you need to know about the plot, which isn’t an easy task. With the gradual aging on one half of the figure’s body, it takes an otherwise scenic, relaxing beach picture and makes it unsettling.


The Spine of Night (RLJE Films)

It’s fitting that a sprawling, rotoscoped fantasy epic should get a poster that’s a work of art itself. The vibrant colors, ethereal art, and the Lucy Lawless-voiced witch at the center command your attention.


We Need to Do Something (IFC Films)

Sometimes it’s the most straightforward designs that intrigue us the most. One close-up shot of an eye exuding pure, visceral terror is all it takes to sign us up for whatever horrors lie in wait in We Need to Do Something. Washing it in horror’s favorite color, red, is another stroke of minimalistic genius.


Malignant (New Line Cinema)

This excellent piece of pulp art conveys everything you need to know about James Wan’s latest. It tells you to expect a heavily Giallo-inspired horror movie, and that identity could be a central clue to unlocking the movie’s wild murder mystery.


Army of the Dead (Netflix)

If you want a quick, easy way to catch someone’s eye, make your poster pop with bright, vibrant hues and Vegas-style flash. Then make it horror. Netflix’s Army of the Dead introduced a series of vivid posters unafraid to embrace the neon, and it worked like a charm.


Fear Street Trilogy (Netflix)

Apart, each poster in Netflix’s Fear Street trilogy captured the tone and imagery of their respective installments. But lining all three up together and seeing how they bleed into another?

Very, very cool.


Last Night in Soho (Focus)

Edgar Wright’s horror thriller follows a modern fashion design student traveling back in time to London’s Soho district during the Swinging Sixties. This poster captures that perfectly, both in style and in evoking the period era.


The Conjuring: The Devil Made Me Do It (New Line Cinema)

The original theatrical poster for The Devil Made Me Do It marketed the safe bet- Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga, respectively). For their fourth appearance in the Conjuring universe, it seemed safe to assume they are why audiences keep coming back for more. We love this cinematic couple, but the theatrical poster doesn’t hold a candle to the IMAX poster, an eye-grabbing work of comic-style horror art.


PG: Psycho Goreman (RLJE Films)

This stunningly gory work of art by Brock Hofer perfectly captures the tone and madness of Steven Kostanski’s horror-comedy riff on sentai. So many intergalactic monsters and fleshy bits across the page, covering every inch.


Prisoners of a Ghostland (RLJE Films)

Sion Sono’s English-language debut is an East-meets-West dystopian journey into madness, but this stunning poster goes all-in on the East aesthetic. Nicolas Cage stands atop a collage of samurai, bones, and characters along the way. It’s weird cinema meets beautiful poetry, and we need this one on our walls.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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