Movies
‘Time Cut’ – ‘Back to the Future’ Meets ‘Scream’ Slasher Movie Coming to Netflix in 2024
The writer and director of slasher-comedy Freaky are reuniting for a brand new time-traveling slasher movie titled Time Cut, with Christopher Landon producing and Michael Kennedy writing the script alongside Hanna Macpherson (“Into the Dark”). MacPherson also directs Time Cut, which has been described as “Back to the Future meets Scream.”
We’ve learned today that Time Cut is coming to Netflix in 2024!
In the upcoming slasher, “A teenage girl travels back to the early 2000s to stop a vicious killer from murdering her sister.”
It sounds like this one is cut from the same cloth as Freaky, Happy Death Day, It’s a Wonderful Knife and Totally Killer, part of a new breed of horror-comedy-slasher hybrids.
Madison Bailey (Outer Banks) and Antonia Gentry (Ginny & Georgia) star alongside Michael Shanks, Griffin Gluck, Rachael Crawford, Jordan Pettle, Megan Best, Samuel Braun, Sydney Sabiston, and Kataem O’Connor.
Time Cut features a story by Michael Kennedy.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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