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Looking Back on Horror Spoof ‘Scary Movie’ Twenty Years Later

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Scary Movie reboot

I have a confession to make. While I’m a huge Scream fan, owning all of the movies and even having crafted a homemade Ghostface costume for Halloween partying purposes, my first contact with the horror-obsessed killer wasn’t actually through a Wes Craven film. In all honesty, I have to admit that the first time I laid eyes on Fun World’s iconic costume design was in the infamous 2000 parody flick, Scary Movie.

I used to be ashamed of this fact after falling in love with horror, but 20 years later I’ve come to realize that I’m probably not the only one to have seen the parody before the original. In fact, despite the uneven quality, I’m now certain that Scary Movie and its subsequent sequels are responsible for introducing thousands of non-horror-fans to classic genre tropes and iconography in a “safe” comedic environment. If you think about it, this franchise probably acted as a gateway drug for some folks that had never given real scary movies a chance.

It’s easy to look back on these films and judge them as a shameful product of early 2000s humor, but the fact is that these parodies were huge back in the day, and whether you liked them or not, they helped shape the future of both horror and comedy throughout that decade. Hell, if you really look into it, it’s likely that Scary Movie contributed to the untimely death of several silly trends in mainstream horror, with many studios upping the gore and “seriousness” of their productions in an effort to distance themselves from these parodies. So, at the very least, I think we can agree that these movies were culturally significant.

The idea of a Scream spoof was actually pitched by Miramax themselves, wanting to capitalize on the runaway success of Craven’s franchise with both existing fans and folks who might prefer comedy over thrills. Even at the time, horror parodies weren’t exactly a novel idea, with classics like Young Frankenstein and the Abbot and Costello crossovers proving that the formula could be immensely popular, so a team of writers was soon hired to bring the project to life.

Due to a WGA dispute, a baffling total of six writers were credited with the creation of Scary Movie (with the name referencing Scream‘s original working title), but the finished film was really a product of the Wayans brothers, who also co-produced the picture. Keenen Ivory Wayans directed the project while Shawn & Marlon Wayans co-wrote it alongside Buddy Johnson and Phil Beauman, with the team skyrocketing to fame once the end product became a box-office hit. In fact, Scary Movie was notable for being the highest-grossing film directed by an African-American at the time, paving the way for the Wayans’ future productions.

It doesn’t get any more 90s than this.

The film itself was a rather vulgar retelling of the first Scream, with some elements from I Know What You Did Last Summer and The Usual Suspects thrown in for good measure. The always-lovable Anna Farris stars as “Cindy Campbell” (our stand-in for Sidney Prescott), who realizes that she’s being stalked by a goofier incarnation of Ghostface. A lot of violent slapstick and extremely dated 90s references ensue as Cindy and her ill-fated friends race against time and attempt to discover the killer’s secret identity, recreating iconic horror scenes along the way.

I may have grown up as a Scary Movie enthusiast, but I’ll be the first to admit that the film (and its sequels) haven’t aged all that well. A lot of the jokes fall flat and some are downright offensive even for the time. The movie also has an annoying habit of thinking that it’s smarter than the horror flicks that it’s parodying, with unfair jabs at the genre that feel like a precursor to the recent online trend of mistaking nitpicking for legitimate criticism. Hell, I’ve met folks who point to the Scary Movie franchise as the reason why they don’t enjoy horror films, claiming that they’re easy to make fun of because they’re all dumb and formulaic.

If you can overlook these obvious flaws (though I won’t hold it against you if you can’t), Scary Movie still kind of works as a nostalgic time capsule of late 90s to early 2000s humor while still ultimately feeling like a loving homage to the horror genre. At the end of the day, there’s no denying that the unique humor on display here has its charms.

The likable cast is largely responsible for making this endeavor work, with Regina Hall‘s snarky comebacks and Anna Farris’ deadpan reactions getting me every time. The actors’ commitment to translating cartoonish antics to real life through exaggerated slapstick and absurd logic is truly commendable, even if these efforts are hampered by some uninspired writing and inept criticism of scary movie tropes.

Critics might not have been crazy about the movie at the time (though Roger Ebert of all people gave the film a positive review), but audiences absolutely ate it up, resulting in an astounding $278 million pull at the box office on a $19 million budget. Naturally, a sequel was greenlit immediately, though the studio insisted on a tight schedule in order to release the new film the following year.

Great cast… and that’s about it.

Scary Movie 2 ended up being completed in under 9 months, and it unfortunately shows. There’s still a lot to like about this sequel, especially considering that they kept most of the cast and crew (even dead characters inexplicably make a comeback, which is sort of a running joke in the franchise), but the lack of a solid structure and memorable antagonist makes it decidedly less fun. If you enjoy haunted-house and exorcism movies, you’ll probably get a kick out of this entry, but the rushed script and low production value make it a vastly inferior product to the first movie.

Even so, Scary Movie 2 was a considerable box-office success and the franchise went on to produce several more sequels. Personally, I stopped enjoying them after the third one (which is still lots of fun and also benefits from the comedic stylings of the legendary Leslie Nielsen), but the horror parody craze never really stopped. We may remember this kind of movie as a decidedly “2000s” thing, but the last Scary Movie sequel came out only seven years ago, and was soon succeeded by other series like the Haunted House films. It’s only recently that producers have stopped churning out these parodies, as audiences became tired of a schtick that began in 2000.

Despite the questionable humor and a few misunderstandings regarding the horror genre, I still think Scary Movie is worth revisiting as a curious product of its time. I’m pretty sure that the franchise introduced horror to a lot of folks that might not have dipped their toes into the genre otherwise, so I’ll always be grateful for the laughs we had along the way. It may just be nostalgia on my end, but even 20 years later, gags like “Just chilling, killing” and main characters getting inexplicably run over at the end of the movie still manage to tickle my funny-bone.

While I wouldn’t hope for a franchise comeback at this point, I do think that modern audiences would appreciate a decent horror spoof if it was made with genuine affection for the source material. We’re in the midst of a horror renaissance, so it would be fun to see a comedic take on modern classics like Hereditary or even the Conjuring franchise. After all, even if these movies aren’t for everyone, they could once again introduce iconic locations and characters to a brand new audience.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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