I play a Ibanez Artcore with a Mesa Boogie F-100 amp.
ITS A FIDAY THE 13TH MOVIE! WHATS TO REVIEW? YOU KNOW WHATS GOING TO FUCKING HAPPEN! IF YOU LIKED IT BEFORE YOU WILL NOW, IF YOU DIDNT SHUT THE FUCK UP AND GO RENT A MY LITTLE PONY MOVIE AND CRY IN A CORNER!
Hell theres probably more styles of pickups, trhose are just the ones I know of
there's the soapbar. those have a really unique and cool tone. I've wanted to get something with those in there for a while. I hear thier quite incredible for recording cleans. the PRS SE double cutaway with those in thier would probably be choice.
i use a ESP viper (baratone) and i use monster fuckin strings (my top e is a 70 guage)
baritone eh? very nice. I could see why you would load 70s on there. I was buying new strings last weekend and I saw Zakk Wyldes GHS strings. I thought "oh cool!" then I saw his E was a fucking 70! I couldn't believe it! I use Ernie Ball skinny top/heavey bottom and the E on there is a 60 and I think that sounds heavy as fuck, like a bass string! are you still able to pull off wicked bends being a 70 AND a baritone? and how much did you pay for the Viper?
Well... I hope we can list what we've HAD as well...
Ibanez RG-220 (I guess I am a bit of an Ibanez fan... But the fucking Floyd Rose on that guitar makes you want to kill puppies)
sure, list whatever you've had, have now, want to get. it's all good. if you tell us what you've had, maybe someone thats looking to get something similar will be able to be directed toward the best product (IYO).
and is that a zero resistance trem on the ibanez? I've read those are fucking titanic. personally, I stopped buying anything with a floyd after I bought a Peavey Wolfgang copy. it's not that the trem was bad at all, but it's just a fucking hassle all around. I much prefer a string thru design. better sustain no hassle.