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Stay Home, Watch Horror: 5 Zombie Movies With Scene-Stealing Characters to Stream This Week

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zombie movies to stream Day of the DEad

Zombie movies tend to focus on the survivors trying to evade getting bitten while grappling with the fall of civilization. That usually results in an emphasis on characterization, which brings a wide variety of memorable villains, heroes, and supporting players to raise the stakes as we root for or against them during a zombie apocalypse.

This week’s streaming picks are dedicated to some of the zombie subgenre’s most unforgettable scene-stealers—the charming oddballs, sleazy eccentrics, and unexpected supporting players that capture our attention.

Here’s where to stream these zombie movies this week.

For more Stay Home, Watch Horror picks, click here.


Burial Ground Screambox

This Italian zombie siege movie directed by Andrea Bianchi brings the zombie mayhem. An archaeologist accidentally unearths zombies from a crypt near a sprawling mansion. They go on a rampage, causing the archaeologist’s arriving guests to lock themselves inside and try to survive the night. But the one thing that makes this stand out as a must-see is then 25-year-old Peter Bark’s performance as young child Michael. As if his eccentric portrayal isn’t enough, Michael harbors a disturbing attraction to his mom. It’s as insane as it sounds.


Cooties – IMDb TV, Plex, Pluto TV, Roku, Tubi, Vudu

Aspiring writer Clint Hadson (Elijah Wood) thinks his first day as a substitute teacher in his hometown of Fort Chicken is off to a rough start, thanks to awkward encounters with the faculty. Then contaminated chicken nuggets cause a mysterious viral outbreak that transforms the children into feral zombies. Clint must lead the unlikely crew of adults if they have any hope of making it through the school day alive. Co-written by Leigh Whannell, Cooties doesn’t just want to make you laugh; it wants to gross you out at every possible turn. The stellar cast is more than up to the task of playing hilarious and unwitting horror heroes, but Whannell steals every scene as the socially inept science teacher.


Day of the Dead – Kanopy, Pluto TV, Shudder, Tubi

The third entry of George A. Romero’s Dead series shows the world entirely inundated by zombies. Though the numbers have vastly dwindled before the film’s start, the future of civilization looks bleak due to the handful of remaining survivors being unable to get along. Dr. Matthew Logan (Richard Liberty, The Crazies), the cheerful lead scientist, and his favorite test subject Bub (Sherman Howard) lie in the middle of warring factions in this zombie movie classic. The docile, loyal, and music-loving zombie will steal your heart.


Little Monsters – Hulu

With Jordan Peele’s Us, Lupita Nyong’o already proved her dramatic chops in the genre space twice over. So much so that Us overshadowed Nyong’o’s other 2019 release, the horror-comedy Little Monsters. The actress charms with a winsome performance as Miss Audrey Caroline, a kindergarten teacher forced to keep her students safe when their field trip gets invaded by zombies. It’s a heartfelt story with offbeat humor, and Nyong’o is the film’s MVP once again. Josh Gad also stands out as a scene-stealing children’s TV personality with a secret vulgar side. Be warned, though: expect to get a Taylor Swift song stuck in your head by the time the closing credits roll.


Train to Busan – AMC+, Pluto TV, Prime Video, Roku, Shudder, Tubi, Vudu

This hit zombie movie, directed by Yeon Sang-ho, follows a workaholic, divorced dad on a train to Busan to bring his estranged daughter to her mother for her birthday. Their plans are derailed by a zombie outbreak, forcing the passengers to band together to survive. Yeon Sang-ho changes up the zombie tropes, but what makes this film special is the way it tugs at your heartstrings. It’s not just the dad bonding with and protecting his daughter that infuses this high-paced film with emotional depth, but some of the other memorable passengers as well. Ma Dong-Seok ran away with the entire movie with his humorous and heroic supporting character Yoon Sang-hwa.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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