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Stay Home, Watch Horror: 5 Horror Movies From the Killer’s Perspective to Stream This Week

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Nothing evokes sympathy for a killer like putting the viewer directly in their shoes. Seeing the story from their perspective means getting to know them on a more intimate level. Their motivations, insecurities, and vulnerabilities engender rooting interest in a compelling way. It’s one thing for a slasher villain to stalk and slash their way through unsuspecting campers silently. It’s an entirely different story when a killer attempts to forge human connections and fails tragically before giving in to their darker impulses. In some cases, tragedy gets swapped out for humor to cast the sympathetic light. Whichever the tactic, getting up close and personal with a monstrous character adds a new layer of depth.

This week’s streaming picks frame their tales of terror through the killer’s lens. Whether funny or sorrowful, all have a very, very dark underpinning.

Here’s where you can stream them this week.


The Stylist – Arrow

Najarra Townsend stars as Claire, the eponymous hairstylist. Claire’s a talented professional with a reputation for transformative work and an unwavering ability to put her clientele at ease. The more she listens to her customers unburden themselves upon her, the more the lonely stylist covets their lives. For Claire, she sometimes acts on the impulse to step into another’s shoes by drugging one-off customers and scalping them to don their hair whenever she feels like being someone new. Claire is a soft-spoken, timid woman without any real friends, and her mournful vulnerability is heartbreaking, even when driven to homicide.


Behind the Mask: The Rise of Leslie Vernon – Prime Video, Shudder

Behind the Mask works as a hysterical deconstruction of the slasher formula set around an aspiring slasher icon, Leslie Vernon. Leslie gives a documentary crew exclusive and intimate access to his life, walking them through his training and detailed plans to slay a group of teens and enter the slasher pantheon. His dynamic relationship with his chosen final girl, Taylor Gentry, provides an unexpected emotional backbone, and the humor is instantly disarming. Nathan Baesel is so winsome as Leslie that it’s difficult not to root for the aspiring slasher icon’s murderous success.


Maniac (2012) – AMC+

This remake of the 1980 film dials up the sympathy for Frank Zito, thanks to a far meeker rendition by Elijah Wood. Frank is a troubled individual with a traumatic past, and he tends to scalp women to keep his one happy childhood memory alive. Enter Anna, a photographer with whom Frank is so smitten that he attempts to get his act together. Too bad this is a horror movie and a happily ever after isn’t on the menu for these surprisingly sweet characters. Frank Zito commits heinous acts, and yet you desperately want him to find the help he needs. This remake also takes the killer’s perspective literally, framing everything from Frank’s point of view.


The House That Jack Built – Hulu

Jack (Matt Dillon) is an unrepentant and highly intelligent serial killer. Using Dante’s Inferno as a metatextual guide to chronicle the twelve-year period over which Jack commits grisly murders, the film employs a lot of dark humor to engender viewers to an unfeeling, sociopathic killer. The twisted comedy is necessary, as things get downright gruesome for Jack’s victims. When all the other films on this list create sympathy for their monsters, this one spares none. It makes its destination all the more satisfying, and Dillon’s portrayal certainly helps.


What Ever Happened to Baby Jane? – Hoopla, HBO Max

Jane was a spoiled child star, while her shy sister Blanche hung back in the shadows. When they got older, Jane fell out of the spotlight and into alcoholism. Blanche became a successful actress but kept a promise to her mother to care for her younger sister. The roles reversed when an accident rendered Blanche paralyzed from the waist down, and Jane was blamed for it. Jane’s form of care for her sister comes with emotional and psychological torture. Sibling rivalry gets downright ghoulish here, and Jane finds disturbing ways to torment Blanche. Major reveals give insight to this dysfunctional family, lending an overwhelming sense of tragedy.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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