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The “Horrality” of ‘Housebound’ [Horror Queers Podcast]

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Horror Queers Housebound

AmOS’ ButtOCKs

After kicking off 2022 with a double-dose of Scream 4, Joe and I started our “Underrated or Underseen?” theme for the first quarter of the year with a look at 2012’s American Mary and 2013’s The Lords of Salem. Now we’re tackling 2014 with a hearty discussion of Gerard Johnstone‘s hilarious comedy horror film Housebound!

In the film, would-be thief Kylie (Morgana O’Reilly) is remanded to the custody of her estranged mother (Rima Te Wiata), who turns out to be correct in her assertion that evil spirits are afoot in their family domicile. Without anywhere to go, Kylie reluctantly teams up with security contractor Amos (Glen-Paul Waru) to appease the spirits before it’s too late

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 162 – Housebound (2014)

Check your ankle monitor, grab your cheese grater and prepare for lockdown because we’re heading to New Zealand to discuss Gerard Johnstone’s hilarious comedy horror film Housebound (2014)!

Join us as we discuss Johnstone’s background in television before looking at the film through Philip Brophy’s not-so-household term “horrality.” Then we pretty much just spend the rest of the episode laughing at the endless barrage of hilarious scenes that Housebound throws our way!

Plus: Famous Amos, a lesson on how to navigate Rotten Tomatoes, Trace learns about commonwealths (and Coronation Street!) and Joe’s real-life New Zealand horror story involving….an apple?


Cross out Housebound!

Coming up on Wednesday: We’re continuing our “Underrated or Underseen?” theme with a look at Oz Perkins’ dread-filled, boarding school-set horror film The Blackcoat’s Daughter!

P.S. Subscribe to our Patreon for tons of additional content! This month, we will have episodes on Scream (2022), Last Night in Soho, See for Me and the 2021 Hereditaries, as well an audio commentary on Psycho Goreman!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Podcasts

‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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