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Stay Home, Watch Horror: 5 Lesser-Known Horror Novel Adaptations You Can Stream This Week

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Books and short stories have served as fodder for motion picture adaptations since the advent of cinema. Literary classics like Mary Shelley’s Frankenstein or Bram Stoker’s Dracula became the basis for foundational Universal horror films. Some of the genre’s most widely regarded, like Jaws and Psycho, also drew from literature. Then there’s prolific author Stephen King; so much of his work has been translated to the screen, and that continues to this day.

But this week’s streaming picks delve into more unexpected or lesser-discussed novel adaptations. And as always, here’s where you can stream these five picks this week.


The Lair of the White Worm – Roku, Tubi, Plex, Vudu

Dracula wasn’t the only vampiric horror novel that Bram Stoker penned; this one is based on the legend of the Lambton Worm. Ken Russell’s loose adaptation makes it easy to see why it didn’t achieve the same level of popularity. It’s weird. That’s not a bad thing. When an archaeologist uncovers a strange skull of what appears to be a massive snake, the locals start to disappear. He suspects it might be related to an ancient worm-god and that the enigmatic Lady Sylvia Marsh might be connected. It’s hilarious, quirky, and full of camp with a mesmerizing performance by Amanda Donohoe as Marsh. Peter Capaldi and Hugh Grant also star.


Odd Thomas – Hulu, Prime Video, Pluto TV, Tubi

While not as high-volume as Stephen King or Clive Barker in terms of adaptations, famous horror author Dean Koontz still received a solid number of adaptations of his work. The latest is based on the first novel of a bestselling series. The always affable Anton Yelchin played the eponymous character, a short order cook in a small desert town with the ability to see the dead. More than that, Odd receives premonitions and can detect bodachs, creatures that feed on death and destruction. The arrival of a stranger leads Odd to team up with his sweetheart (Addison Timlin) and the town sheriff (Willem Dafoe) to prevent an unknown catastrophe. Odd Thomas blends a lighthearted supernatural action-thriller with an almost rom-com style drama that makes for easy consumption thanks to its endearing cast.


One Missed Call – AMC+, Arrow, Shudder, Tubi

This Takashi Miike helmed supernatural chiller is based on the novel Chakushin Ari by Japanese record producer Yasushi Akimoto. Somewhat similar to The Ring and other J-horror of this era, the plot setup sees people marked for death after receiving a mysterious phone call from themselves. Miike infuses a familiar concept with his trademark dark humor and delivers several creepy set pieces and numerous scares. One Missed Call may not be the most original, but it still induces fear. It spawned a few sequels and an American remake.


Perdita Durango – Kanopy, Shudder, Tubi, Vudu

Also known as Dance with the DevilPerdita Durango blends crime thriller with occultist horror and is based on Barry Gifford’s 1992 novel 59° and Raining: The Story of Perdita Durango, the third book in the Sailor and Lula series. Meaning it’s loosely connected to David Lynch’s Wild at Heart, whose version of Perdita was played by Isabella Rossellini. For Alex de la Iglesia’s adaptation, Rosie Perez portrayed the eponymous character, and Javier Bardem as her lover, Romeo. Romeo, who’s a Santeria priest and drug dealer, gets involved with a gangster’s scheme to transport fetuses across the border to the U.S., prompting Perdita and Romeo to embark on a crime spree as they kidnap a young couple, rape them, and plot to sacrifice them. In other words, they belong in the same conversation as Natural Born Killers Mickey and Mallory. It’s violent, uncomfortable, and disturbing.


The Woman (Bloody Disgusting Selects) – AMC+, Shudder

A lawyer (Sean Bridgers) discovers and captures the last member (Pollyanna McIntosh) of a violent clan and ruthlessly attempts to domesticate her. It wreaks havoc on his family and threatens their lives. A much-improved sequel to Offspring, this confrontational sequel saw author Jack Ketchum team up with director Lucky McKee to co-write the script. Ketchum’s brand of visceral, splatterpunk style horror isn’t for the weak-stomached; the provocative violence of The Woman tends to polarize. It’s a disturbing study on family dysfunction pushed to extremes, with emphasis on the extreme. McIntosh’s feral performance as the titular character captivates.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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