Connect with us

Movies

Prequel ‘Orphan: First Kill’ Rated R for “Bloody Violence”

Published

on

orphan prequel

Esther is back in upcoming prequel Orphan: First Kill, with Isabelle Fuhrman returning to play the character and William Brent Bell (The Boy, Separation) directing the new movie.

Orphan: First Kill has been acquired for release by Paramount, but we don’t yet have a release date at this time. It’s coming soon, however, as the official MPA rating is now in.

First Kill is rated “R” for…

“Bloody violence, language, and brief sexual content.”

For the sake of comparison, the first Orphan movie, released way back in 2009, was similarly rated “R,” for “disturbing violent content, some sexuality, and language.”

In Orphan: First Kill, “Leena Klammer (aka Esther) orchestrates a brilliant escape from an Estonian psychiatric facility and travels to America by impersonating the missing daughter of a wealthy family. But Leena’s new life as “Esther” comes with an unexpected wrinkle and pits her against a mother who will protect her family at any cost.”

David Coggeshall (“Scream”) wrote the prequel’s script.

Orphan writer David Leslie Johnson-McGoldrick executive produces.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

Published

on

In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

Continue Reading