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#91 | ||||
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The Living Dead
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Se7en Sins
is Praising Yeezus
Join Date: Aug 2010
Location: Prince George, British Columbia
Posts: 3,785
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![]() Seriously though, Aliens, Blue Velvet & The Fly are flawless.
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#93 | |
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It... Won't... Die...
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Sea Hag
has no status.
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The Thing Aliens The Fly Evil Dead Evil Dead II The Shining Re-Animator Henry: Portrait Of A Serial Killer Videodrome Day Of The Dead Halloween III From Beyond An American Werewolf In London Hellraiser Night Of The Creeps The Fog The Dead Zone Manhunter Poltergeist Fright Night Ghost Story Near Dark Return Of The Living Dead Gremlins The Hidden Dressed To Kill Angel Heart Prince Of Darkness Dead Ringers The Prowler The Burning The Beyond Creepshow A Nightmare On Elm Street Friday The 13th 1-4 Phantasm II Halloween II Scanners Christine Basket Case The Toxic Avenger The Blob Hellraiser II The 80's produced better event/blockbuster/tentpole (whatever you want to call'em) flicks too ala "Empire Strikes Back", "Aliens", "Indiana Jones Trilogy", insert any number of flicks that came out in 1982, etc, etc..
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![]() DVDs Recent Flicks The Man Of Steel - 8/10 Starman - 8/10 Out For Justice - 8/10 From Beyond - 8/10 The Woman In Black (12) - 7.5/10 |
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#94 | |
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It... Won't... Die...
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gwally
is handing out candy in your neighborhood.
Join Date: Oct 2006
Location: Snowhio
Posts: 18,840
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![]() I know it's not horror. I have no idea what I was thinking! I've removed it from my list, moved everything up and added what would have been #26. Thanks for not laughing me out of the neighborhood! ![]() All titles are the original film unless indicated otherwise. 1. Halloween 2. Dawn of the Dead 3. The Thing 4. Horror Hotel 5. The Blob (1958 ) 6. The Exorcist 7. Silence of the Lambs 8. Let the Right One In 9. Carrie 10. The Blob (1988 ) 11. Jacob’s Ladder 12. Invasion of the Body Snatchers (1978 ) 13. The Birds 14. Near Dark 15. Prince of Darkness 16. The Omen 17. Psycho 18. The Texas Chain saw Massacre 19. Poltergeist 20. The Dead Zone 21. Let’s Scare Jessica to Death 22. The Evil Dead 23. Nightmare on Elm Street 24. Friday the Thirteenth 25. Night of the Demon
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![]() Last edited by gwally; 01-23-2013 at 09:33 AM. |
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#95 | |
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Fresh Kill
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Midnight-Kroovy
has no status.
Join Date: Nov 2012
Location: London, England
Posts: 454
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Texas Chainsaw Massacre Jaws Carrie The Omen Suspiria Dawn of the Dead Halloween Alien and if you look at seventies films in general; The Godfather Godfather 2 One Flew over the cuckoos nest Star Wars Apocalypse Now Taxi Driver A clockwork Orange The Deer Hunter Its an immense selection of films and I'm sure I'm forgetting many. And as much as I enjoy 80's cheese the decade started a bad trend of ripping off a formula that works e.g Halloween and doing loads of sequels/cash-ins rather than films that are innovative with a voice. That being said 80's horror is the biggest part of my collection . But I find the majority are mindless fun rather than masterpieces.
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#96 |
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Fresh Kill
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DudeClassicMan
has no status.
Join Date: Mar 2005
Posts: 775
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What about that same basic mid-to-late 80’s era as the golden age for iconic villains?
Most of these are iconic and speak for themselves. Frank Booth Blue Velvet, 1986. Get your fucking robe! Clarence Boddicker Robocop, 1987. Bitches leave! Henry Henry: Potrait of A Serial Killer, 1986.- I ain’t using the real guy’s full name because the killer in this was an average looking guy operating out of a big city. The real guy was just a deformed-looking drifter who bounced back and forth between Dirtwater, Florida and Armadillotaint, Texas. In other words, different motherfuckers altogether. Which is why this disturbing portrayal still endures; it was Rooker's unique take from his own head. (Original TCM prop guy Daniel Burns was much more authentic to the real shitstain on humanity in the also great Confessions Of A Serial Killer (1985) as a meek little backwoods guy.) Now Ottis was pretty true to the guy he was based on. John Ryder The Hitcher, 1986.- Based on several legends and myths; actually the writer was inspired by that fucking Doors song while on a cross country drive. The remake pretty much loses any suggestion that something supernatural is at play from the only time I saw that extended music video. Several years later, Dust Devil (1993) took one of the legends and made a movie out of it where things were explicitly supernatural. Rick Masters To Live And Die In LA, 1985.-Only Friedkin and DaFoe could could make something this timeless out of a fucking cop movie about mid-80's counterfeiters. Petersen's reckless anti-hero is also perfect. Cash Bailey Extreme Prejudice, 1987.- Powers Boothe is bad ass in everything he does and is no exception here. The final showdown between him and Nolte is also given real credibility by this being one of the few times Nolte doesn’t look a perpetually hung over ponchy piece of shit. Brad Whitewood Sr.,At Close Range, 1985.- It’s a plain old crime movie about a ring of tractor thieves in Pennsylvania. Then this guy’s sons (played by Brothers Penn) decide to freelance with a bunch of their stupid buddies (including Crispin Glover and Evil Ed) and get their dumbasses caught after the DA has already been building a case against paranoid Brad Sr.,. That’s when motherfuckers start getting whisked away into the woods in the middle of the night. You can guess the rest. Probably Walken’s most menacing role. I mean even Frank White had his altruistic side. ![]() Francis Dollarhyde Manhunter, 1986. –So what if Fiennes pint-sized powerlifter was closer to the book? Fuck the book. Louis Cypher Angel Heart, 1987.- You know who. Paul White White Of The Eye, 1987.-Played by David Keith (the white one; can’t independently confirm whether he’d be willing to put the glasses on or not.) The most obscure character out of these. The movie’s up on YouTube now. I personally wouldn’t call it horror outright anymore than I would Blue Velvet. I guess you’d call it a psychological thriller. There are some giallo flourishes but this isn't any kind of body count movie. Classification isn’t important. Check it out for Keith’s utter insanity during the film’s climax. As distinct an on-screen psychopath as Frank Booth and spews probably the kind of nutty rationale you’d hear out of a real serial killer who hates women as much as this crazy guy. ![]() Check it out for yourself. http://youtu.be/eTLTrO5Z_-k?t=4m35s |
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#97 | |
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It... Won't... Die...
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gwally
is handing out candy in your neighborhood.
Join Date: Oct 2006
Location: Snowhio
Posts: 18,840
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#98 | |
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Fresh Kill
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DudeClassicMan
has no status.
Join Date: Mar 2005
Posts: 775
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Maybe if they would’ve showed us the Wolfman ripping that fucking ambulance driver to pieces. Wishy washy “we need the little kids to make bank” studio bastards. Bunch of fucking pussies. Shit, it could’ve been R and my folks still would’ve taken me to the theatre; saw Hellraiser on VHS at midnight on a Sunday school night. That’s all sarcasm, of course. I know the kind of tight rope they had to walk selling a movie about kids fighting monsters while still making it just violent enough to appeal to the masses. It still sucks that it washed out at the box office due to probably this very reason. To me, The Monster Squad holds up just as well as The Lost Boys in terms of still being clever and it’s not like there was any real hard-edged violence in that either. Fucking assholes getting wasted to that shitty Aeroshit song? Gimme a fucking break. Except for Kiefer, I also don’t think all the glam metal reject vampires have aged so well either. They look like pretty blatant 80's relics to me. Back to business; there’s one other thing about the monsters in Monster Squad; I know just the hard R late eighties movie they should’ve been featured in. ![]() Because as much as I love The Monster Squad and Waxwork just the way they are, how much better off would Waxwork have been featuring Stan Winston’s Wolfman and Gillman instead of the cheap looking low budget versions they were forced to go with? (Of course, Waxwork sort of was Monster Squad carried out to an R-rating; only with snooty college kids but unfortunately with those inferior monsters. Shit, it even had the same basic plot of them having to stop evil from overtaking the world; come to think of neither is that different than Cabin In The Woods. Except back then, everything didn’t have to be “meta” or self-referential to think of itself as a cool movie.) Don’t get me wrong; there’s something charmingly crude about the werewolf design in Waxwork; but it’s so fucking fake and mask-looking; especially in the wrong light which gets shone on it too much. It’s still good times watching that ridiculous furry fuck thunderclap assholes heads into a splattery mess at least. ![]() That thing’s in stark contrast though to Winston’s bad ass Wolfman which besides Oliver Reed in Curse of the Werewolf is really one of the few times a wolfman didn’t look like a silly ass dogman. By god, Waxwork is the movie such a magnificent creature deserved to be in; not relegated to cut-aways when he was slashing that dipshit headphones-wearing ambulance driver to pieces. ![]() Did Waxwork even have a gill-man facsimile? The closest I saw was the cobra-man circus freak which could’ve been a reference to either SSSSSSS or Dreamscape. Sure it had everything else; 50’s sci-fi aliens, Seymour from Little fucking Shop Of Horrors. But it’s a damn shame Winston’s top notch monsters got wasted when it would’ve been so much fun seeing them lay waste to some poor unfortunate dipshits. Oddly enough, I wouldn’t change a thing about the werewolf in Silver Bullet. Somehow in a movie where drunk uncle Gary Busey saves the day a giant teddybearman jacked up on Human Growth Hormone with porcelain eyes seems to be just what the doctor ordered. ![]() I guess I should swing this all back around to the two werewolf movies that actually showed up in somebody's top 25; An American Werewolf In London and The Howling. I'll just say that while the former's beast is technically superior in every way I still see it being more ursine or bear-like than what I think of as a werewolf. So while not being as impressive of a special effect, The Howling's creature is a better werewolf. As movies though, no contest. Also don't let the horror label obscure what An American Werewolf In London really is; a great black comedy about the absurdity of the whole fucking situation of being a werewolf. Last edited by DudeClassicMan; 01-23-2013 at 10:48 AM. |
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#99 | |||
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It... Won't... Die...
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Klownz
is going insane!
Join Date: Feb 2009
Posts: 14,094
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Fixed my list... ED2 was slightly better than ED.
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#100 | ||
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It... Won't... Die...
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Sea Hag
has no status.
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__________________
![]() DVDs Recent Flicks The Man Of Steel - 8/10 Starman - 8/10 Out For Justice - 8/10 From Beyond - 8/10 The Woman In Black (12) - 7.5/10 |
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. But I find the majority are mindless fun rather than masterpieces.






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