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What Horror Movies Still Scare You When Watched During the Day?

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We’ve all heard at some point in our lives that something needs to be done in the “proper way”. Maybe it’s how we cook a meal, maybe it’s how we tie a tie, or maybe it’s even how we engage in our post-pooping techniques. Whatever it is, there are some things that are deemed sacred in how they’re performed.

For example, when one thinks on how to watch a horror movie, one of the biggest suggestions/recommendations/requirements (whatever you want to call it) is that the film should be watched in as near total darkness as possible. Preferably, the only source of light should be the TV itself. But what happens when the urge to watch a horror movie strikes at 2pm on a Saturday and the sun is shining brightly through your blinds?

Well, in my opinion there’s nothing wrong with popping in that movie right then and there! After all, just because it’s daytime, that doesn’t mean the movie can’t still affect you. In fact, some fantastic horror movies take place either during the day or have lots of terrifying segments when the sun is still in the sky.

So, let’s talk about these movies! I’m going to list a few movies that still creep me out even if I watch them during the day and then I want you to share some of yours with me in the comments!

Halloween

John Carpenter’s slasher is a classic for a very good reason. Hailed as one of the very best around, the film that brought Michael Myers to life is terrifying in that it takes its time building up to an explosive third act. Every minute of the movie oozes with dread and suspense, making it a movie that will always give me goosebumps no matter what time of the day I watch it.

The Shining

Nearly every segment of this film takes place during the day. It’s only really in the finale that the terror comes bursting out of the darkness, when the Overlook Hotel seems to loom and stir like some awakening monstrosity. Just thinking about this movie gives me the heebie-jeebies.

Night of the Living Dead

True story: The first time I watched this movie, it was a beautiful Sunday afternoon in summer. There was this gorgeous cerulean sky with white puffball clouds lazily floating, being urged along by a gentle breeze that carried the scent of flowers and trees. One of those perfect summer days that you dream about in the dead of winter.

So, clearly it’s the perfect day to watch a horror movie, right? I popped this in to see what all the fuss was about and, approximately 90 minutes later, I was practically shitting myself. I’m talking pure paranoid fear was coursing through my veins. I was looking out the window into the trees in our backyard to see if any zombies were shuffling and shambling towards our home. I was trying to figure out what to do about the rooms that had door walls. I’m not joking when I say my reaction was akin to those who freaked out about Y2K and the apocalypse that was attached to it. To this day, the movie still unsettles me to the core.

Managing editor/music guy/social media fella of Bloody-Disgusting

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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