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Carnage Will Be the ‘Venom’ Villain; Sinister Six Could Assemble!

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Venom and Carnage via Marvel Comics

The best thing about comic books is that writers/publishers have years, decades, shit, centuries to spend time on character development. This is why many heroes spend time as villains and vice versa. To comic fans, the idea of a Venom feature film makes a whole ton of sense, but to the average viewer, it’s confusing as all hell. How can one of Spider-Man’s arch nemeses be the hero of his own film? This was the biggest question mark surrounding Columbia Pictures’ Venom (in theaters Oct. 5, 2018), an offshoot of their Spider-Man films that will feature Tom Hardy as the title character, also known as Eddie Brock. If Venom is the protagonist, who will be the antagonist? The obvious answer has been confirmed in an article over at THR: Cletus Kasady… aka CARNAGE!

This is just the tip of the iceberg as Sony is spinning a web around a new Spider-Man universe. With Spider-Man Homecoming‘s villain being Vulture (Michael Keaton), the studio is focusing on several spinoffs including Kraven the Hunter and Mysterio, not to mention the already announced Silver & Black, featuring characters Silver Sable and Black Cat.

The idea, says a studio source, is to build out a world gradually rather than launch one immediately, as they had been trying with Spider-Man villain ensemble Sinister Six, which has been shelved. Yes, Sony has gone back to the drawing board and is slowly revisiting their intentions to create the Sinister Six!

Carnage was created by writer David Michelinie and artists Erik Larsen and Mark Bagley, based on elements of the precursor character Venom, explains Wiki. Along with Venom, the character belongs to a race of amorphous extraterrestrial parasites known as the Symbiotes. “Cletus Kasady is a psychopath and a homicidal sadist. He is a deeply disturbed individual with a dark past: as a child, he killed his grandmother by pushing her down a flight of stairs, tried to murder his mother by throwing a hair dryer into her bathtub, and tortured and killed his mother’s dog, with a drill. After the latter, his mother then tried to kill Cletus and was apparently beaten to the brink of death by Kasady’s father, who received no defense from Kasady during the trial.

Cletus Kasady became a serial killer. He was then captured and sent to Ryker’s Island prison for 11 murders—though he bragged about killing a dozen more—where he shared a cell with Eddie Brock, the host of the alien symbiote that turns into the supervillain Venom. When Brock’s symbiote soon returned to be bonded again, allowing Venom to escape prison, the symbiote unknowingly left its offspring in the cell; due to its alien mindset, the symbiote felt no emotional attachment to its offspring, regarding it as insignificant, and thus never communicated its existence to Brock via their telepathic link. The new symbiote then bonded with Kasady, transforming him into Carnage.”

Spider-Man was forced to offer a truce to Venom in order to stop Carnage. While Spider-Man doesn’t appear to be part of the feature film adaptaton, it’s likely this is the same staging for the film’s arc. More soon.

Zombieland‘s Ruben Fleischer is directing Venom, which shoots this fall for release in October of 2018.

Venom and Carnage via Marvel Comics

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

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Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

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