Movies
Poster for ‘Amer’ Directors’ ‘Let the Corpses Tan’ Goes Full Retro
Hélène Cattet and Bruno Forzani, the duo behind the stunning giallo inspired Amer as well as The Strange Color of Your Body’s Tears, have shared their first art poster for Let the Corpses Tan (Laissez bronzer les cadavres!), courtesy of BAC Films, Anonymes Films and Tobina Film.
Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let the Corpses Tan, which will world premiere at the Locarno Film Festival on August 4th, takes place during a Mediterranean summer: blue sea, blazing sun….and 250 kg of gold stolen by Rhino and his gang. They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately, surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield.
Said to be “relentless and mind-blowing,” Elina Löwensohn, Stéphane Ferrara, and Bernie Bonvoisin star.
The below art was created by Gilles Vranckx.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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