Movies
’47 Meters Down’ Sequel Heads Even Deeper
47 Meters Down read my review(), the Mandy Moore and Claire Holt-starring shark thriller that took an unexpected $44 million bite out of the domestic box office this summer (and more than $53 million globally), is to be followed up with 48 Meters Down, says THR.
Johannes Roberts is set to return to write and direct the film, based on a script he co-wrote with his collaborator on 47 Meters Down, Ernest Riera.
“This time the action will move the deadly shark action from Mexico to Brazil and follow a group of girls looking for adventure in the coastal metropolis of Recife. Hoping to get off the well-worn tourist trail, they hear about some hidden underwater ruins only to find that the turquoise waves of their secret Atlantis aren’t completely uninhabited.”
Fyzz Facility is again producing and financing the project. Altitude Film Sales, who looked after sales for 47 Meters Down, are repping sales for 48 Meters Down and will introduce the film to buyers in Toronto.
“48 Meters Down will take the claustrophobia of cave diving and the thrill of shark encounters and move everything to the next level,” said James Harris of The Fyzz Facility.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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