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Kino Lorber Acquires ‘Let the Corpses Tan’ Out of TIFF

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Kino Lorber has acquired North American rights to Hélène Cattet and Bruno Forzani’s stylish neo-Western Let The Corpses Tan which had a critically acclaimed unspooling at Toronto’s Midnight Madness section and Austin’s Fantastic Fest, writes Variety.

Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let the Corpses Tan takes place during a Mediterranean summer: blue sea, blazing sun….and 250 kg of gold stolen by Rhino and his gang. They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately, surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield.

Said to be “relentless and mind-blowing,” Elina Löwensohn, Stéphane Ferrara, and Bernie Bonvoisin star.

[Related] Interview: Let the Corpses Tan Directors Hélène Cattet and Bruno Forzani

Kino Lorber is planning to release the film theatrically next summer, followed by a launch on SVOD, VOD and physical media in fall 2018.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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