Movies
Official Facebook Page Debuts Kickass Modernized Trailer for Original ‘Alien’
One of the most effective movie trailers of all time was the very first trailer for Ridley Scott’s Alien, which I once wrote an entire article about here on Bloody Disgusting. I called it the perfect trailer for the perfect horror film, as it managed to sell audiences on the sci-fi/horror masterpiece without actually spoiling a single thing about the plot.
It explained nothing, told you nothing, and barely even showed you anything; and yet, it ensured you HAD to buy a ticket on the weekend of June 22nd, 1979.
In that article, I noted that if Alien was released today we’d be shown the Xenomorph, Chest Burster and Face Hugger long before buying a ticket, and indeed all of those iconic images and moments are on display in a new modernized trailer for the original classic that just debuted on the official Alien Facebook page today.
True to the modern style, the trailer is loaded with spoilery snippets. But since we’re all intimately familiar with the film by now anyway, it can be enjoyed as a pretty kickass trailer that reminds why Alien remains one of the best horror films of all time.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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