Movies
Rob Zombie Promises a Very Different Experience With ‘Three from Hell’
To say the very least, House of 1000 Corpses and The Devil’s Rejects are vastly different films, one playing out like the comic book adventures of the Firefly family and the other a much more grounded-in-reality vision of the characters and their dirty deeds. With next year’s Three from Hell, director Rob Zombie promises yet another wildly different experience.
“The second was so different to the first one, and I wanted the third one to be different yet again,” Zombie notes inside the pages of Metal Hammer’s Horror Issue, guest edited by Zombie himself. “If you’re just retreading the same movie for a profit, that’s a bummer.”
Star Bill Moseley also offers up some thoughts on the third “Firefly Universe” film in the very same issue, though he’s keeping his lips sealed in regards to how a sequel is even possible.
“I can’t say anything, it’s top secret,” Moseley teased. “It looks like we are driving towards the blazing guns of the sheriff’s department and that’s the end… but we’re back! It makes sense to come back now [that] we’re entering a golden age of horror with the success of The Nun.”
The full cast includes, of course, Bill Moseley, Sid Haig and Sheri Moon Zombie, as well as Danny Trejo, Kevin Jackson, Wade Williams, Jeff Daniel Phillips, Clint Howard, Pancho Moler, Emilio Rivera, Daniel Roebuck, David Ury, Sean Whalen, Austin Stoker, Dee Wallace, Richard Brake, Bill Oberst Jr., Richard Riehle, Dot-Marie Jones and Tom Papa.
Three from Hell has been confirmed for a 2019 release.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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