Connect with us

Music

Insane “Box of Souls” Vinyl Set Includes Every ‘Elm Street’ Franchise Soundtrack!

Published

on

It might be one of the most gorgeous things we have released this year.”

If you’re looking for a Halloween treat this year, look no further than Mondo and Death Waltz’s “Box of Souls,an 8XLP box set featuring the soundtracks to all seven original A Nightmare on Elm Street films!

“A Nightmare on Elm Street is one of the most successful and beloved horror franchises in history and we are thrilled and honored to be releasing the entire series as a vinyl box set featuring 8 LPs from the original series, all remastered for vinyl by James Plotkin,” Mondo announced today.

Each soundtrack is pressed on 180 Gram black vinyl, featuring the franchise music of Charles Bernstein, Christopher Young, Angelo Badalamenti, Craig Safan, Jay Ferguson & J. Peter Robinson. Included liner notes come courtesy of Bernstein, Safan, Ferguson, Mark Patton, Jack Sholder, Ira Heiden, Lisa Wilcox and Charles Brigden.

“The music of Elm Street is a huge part of the series, each film having its own unique sound and feel. Charles Bernstein created the original score, and Freddy’s main theme that was used throughout the series. Christopher Young supplied the score to FREDDY’S REVENGE, and takes the themes down a more orchestral route, layering sounds upon sounds to create a truly scary listen. Angelo Badalamenti composed the score for DREAM WARRIORS. Here he crafts moody textures and a woodwind section to create a dreamlike score. Craig Safan was bought on to compose THE DREAM MASTER, and with the help of a synth-clavier synthesizer he created one of the craziest horror scores of the ’80s. For THE DREAM CHILD, Jay Ferguson delivers a synth-heavy score with nods to fairground music and layers of church organs and weird choral samples. For THE FINAL NIGHTMARE, Brian May mixes electronic and orchestrations to stunning effect. In NEW NIGHTMARE, J. Peter Robinson gives us a super lush orchestrated nightmare that hearkens back to Bernstein’s original.”

The whole package is highlighted by original art pieces from Mike Saputo, paying tribute to A Nightmare on Elm Street through Wes Craven’s New Nightmare.

Mondo will be selling the “Box of Souls” for $250 this Wednesday.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Music

‘Lost Themes IV: Noir’ – John Carpenter Announces New Album & Releases New Music Video!

Published

on

Lost Themes IV
(l-r) Cody Carpenter, John Carpenter, Daniel Davies - Photo Credit: Sophie Gransard

John Carpenter has been teasing big news for a couple weeks now and all has been revealed this morning. Carpenter is back with Lost Themes IV: Noir from Sacred Bones Records!

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

John Carpenter called the first Lost Themes album “a soundtrack for the movies in your mind.”

From John Carpenter, Cody Carpenter and Daniel Davies, Lost Themes IV: Noir is set for release on May 3 via Sacred Bones Records. The album pays tribute to Noir cinema!

In conjunction with the announcement, they’ve shared a music video for the album’s first single, “My Name Is Death”, a miniature noir film directed by Ambar Navarro, starring Natalie Mering (Weyes Blood), Staz Lindes (The Paranoyds) and Misha Lindes (SadGirl). “Noir is a uniquely American genre born in post-war cinema,” states Carpenter. “ We grew up loving Noir and were influenced by it for this new album. The video celebrates this style and our new song, My Name is Death.”

Sacred Bones previews, “The scene-setting new single marks new territory for Carpenter and his cohorts, propelled by a driving post-punk bassline that is embellished by washes of atmospheric synth, pulsing drum machine, and, at the song’s climax, a smoldering guitar solo.”

“Sandy [King, John’s wife and producer] had given John a book for Christmas, of pictures from noir films, all stills from that era,” Davies says of the lightbulb moment for Lost Themes IV. “I was looking through it, and I thought, ‘I like that imagery, and what those titles make me think of. What if we loosely based it around that? What if the titles were of some of John’s favorite noir films?’ Some of the music is heavy guitar riffs, which is not in old noir films. But somehow, it’s connected in an emotional way.”

Sacred Bones notes, “Like the film genre they were influenced by, what makes the songs on Lost Themes IV ‘noirish’ is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it.”

“It’s been a decade since John Carpenter recorded the material that became the initial Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts,” the label explains. “Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. It helped that they grew up in a musical environment. Daniel’s dad is The Kinks’ Dave Davies, and he would pop by the L.A. studio – the same one the Lost Themes records are made in today – to jam, or to perform at wrap parties for John’s films. That innate free-flowing chemistry helps Lost Themes IV: Noir run like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

Here’s the full Lost Themes IV: Noir track list:

1. My Name is Death
2. Machine Fear
3. Last Rites
4. The Burning Door
5. He Walks By Night
6. Beyond The Gallows
7. Kiss The Blood Off My Fingers
8. Guillotine
9. The Demon’s Shadow
10. Shadows Have A Thousand Eyes

The following physical variants will be available:

  • Sacred Bones Exclusive Red on Clear Splatter vinyl w/ Screen Printed 7” bonus track “Black Cathedral”, a Silver Foil Stamped Jacket and poster.
  • Sacred Bones Society Exclusive on Black and White Splatter on Clear w/ Screen Printed 7” bonus track “Black Cathedral”, a Silver Foil Stamped Jacket and poster.
  • All retail Transparent Red, with a Gold Foil Stamped Jacket and poster.
  • Indie Exclusive Tan and Black Marble, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
  • Rough Trade Exclusive Oxblood Red and Black Splatter, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
  • Shout Exclusive Black and Clear cloudy, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
  • Black LP, with a Gold Foil Stamped Jacket and poster.
  • CD
  • Tape

You can pre-save Lost Themes IV: Noir right now!

Lost Themes IV Noir

Continue Reading