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The Red Chord Confirmed For 2010 Summer Slaughter Tour

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Boston, Mass grind metalers The Red Chord are confirmed for this summer’s Summer Slaughter Tour featuring Decapitated, The Faceless, All Shall Perish, Veil of Maya, Cephalic Carnage, Decrepit Birth, Carnifex, Animals As Leaders, and Vital Remains. The tour kicks off in San Diego, CA on Saturday July 17 and finishes up in San Francisco, CA on Monday August 23.
sumsla2010
Here’s what bassist Greg Weeks has to say about being out on the tour; “Summer Slaughter! Looking forward to old friends, new friends, borrowed and blue friends, cookouts, dance-offs, smelly people, burgers, long van rides, karate lessons, octopus balls, seedy areas, elastic waistband jeans, laughter and enjoying myself. See you there!!!”
Vocalist Guy Kozowyk adds; “We are excited to perform on a tour of bands slightly closer to our core style. It has been a while. Hopefully volcanoes and other natural disasters don’t piss on our parade this time around. Fingers are crossed!”

Click HERE to check out the video for Demoralizer. Demoralizer was shot on vocalist Guy Kozowyk’s property in an abandoned ceramics factory on Halloween and showcases some pretty gruesome illustrations by artist Tim Kellen, which were animated and brought to life by director Dave Brodsky of MyGoodEye. The artist used charcoal, meat, grape jelly, and chicken-guts in his illustrations, giving the Demoralizer video a truly bizarre appearance.
Bandmerch along with Decibel Magazine Presents the 2010 Summer Slaughter Tour featuring Decapitated, The Faceless, All Shall Perish, The Red Chord, Veil of Maya, Cephalic Carnage, Decrepit Birth, Carnifex, Animals As Leaders, and Vital Remains:
7/17-San Diego, CA @ Soma 
7/18-Los Angeles, CA @ House of Blues
7/20-El Paso, TX @ Club 101
7/21-San Antonio, TX @ White Rabbit
7/22-Austin, TX @ Emo’s
7/23-Dallas/Ft. Worth, TX @ Ridglea Theatre
7/24-Houston, TX @ Warsaw Ballroom
7/26-Ft. Lauderdale, FL @ Revolution 
7/27-Atlanta, GA @ The Masquerade 
7/29-Philadelphia, PA @ TLA (Theatre of Living Arts)
7/30-Baltimore, MD @ Sonar
7/31-Worcester, MA @ The Palladium
8/01-New York, NY @ Irving Plaza
8/02-Quebec City, QC @ Imperial 
8/03-Montreal, QC @ Club Soda
8/04-Toronto, ON @ Opera House 
8/05-Cleveland, OH @ Peabody’s
8/06-Cincinnati, OH @ Bogart’s
8/07-Detroit, MI @ Harpos 
8/08-Milwaukee, WI @ The Rave 
8/09-Chicago, IL @ House of Blues
8/10-Minneapolis, MN @ First Ave
8/11-Indianapolis, IN @ Emerson Theatre
8/13-Denver, CO @ Summit Music Hall
8/14-Salt Lake City, UT @ Club Sound 
8/16-Calgary, AB @ Republik
8/17-Edmonton, AB @ Starlite
8/19-Vancouver, BC @ Rickshaw Theatre 
8/20-Seattle, WA @ Studio Seven 
8/21-Portland, OR @ Roseland Theatre
8/23-San Francisco, CA @ The Fillmore

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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