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Isis 1997-2010

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I feel like I’m always the one to bring up an awesome band breaking up…. and here’s another one! Experimental act Isis is throwing in the towel after 13 years of awesome music. It pains me to see them go but I’d rather a band go out this way than to make a bunch of album that were bad and people would rather have them break up. So with that aside here is the statement from the band:

“Isis has reached an end. It’s hard to try to say it in any delicate way, and it is a truth that is best spoken plainly. This end isn’t something that occurred over night and it hasn’t been brought about by a single cataclysmic fracture in the band. Simply put, Isis has done everything we wanted to do, said everything we wanted to say. In the interest of preserving the love we have of this band, for each other, for the music made and for all the people who have continually supported us, it is time to bring it to a close. We’ve seen too many bands push past the point of a dignified death and we all promised one another early on in the life of the band that we would do our best to ensure Isis would never fall victim to that syndrome. We’ve had a much longer run than we ever expected we would and accomplished a great deal more than we ever imagined possible. We never set any specific goals when the band was founded other than to make the music we wanted to hear and to play (and to stay true to that ideal), so everything else that has come along the long and winding path has been an absolute gift.”

Read past the break for the rest of the statement as well as their video for “20 Minutes/40 Years” and tour dates!

“As with any momentous life-changing decision (which this certainly is for the 5 of us), we feel a very dynamic range of emotions about this and cannot express all of it within the space of a few sentences, and perhaps it’s best to do what we’ve always done in and let our music speak for us. It is and has been the truest expression of who we are as a collective and in some ways who we are as individuals for the 13 years in which we’ve been together. The last and perhaps most important thing we might say in relation to all this is how grateful we are for the people that have supported us over the years. It is a lengthy list that would include those who put out our records, those that played on them and put them to tape, the many bands with whom we shared the stage, all of our family, friends and companions who supported us in our individual lives and thus made it possible for us to continue on in the band, and most importantly those who truly listened to our music whether in recorded form or by coming to out to our shows (or both). It is quite true that we would never have done what we have without those people, that is many of you who are reading this. Our words can never fully express what we feel, but we hope that our music and the efforts made to bring it into being can serve as a more proper expression of gratitude for this life and for everyone in it. Thank you.

“In more immediate and practical terms the tour we are about to embark upon is indeed our last. We are hoping that these final live rituals can help us bring a close to the life of this band in a celebratory and reverent way, and also provide us with a chance to say goodbye to many of those that have supported us over the years. While there is a measure of sadness that comes with the passing of this band, we hope that the final days can be joyous ones during which any and all that wish to come and join us will do so. It seems fitting that the last show of the tour and of our active existence will take place in Montreal, the site of the very first Isis show in 1997 (though that was an unintentional move when booking the show initially). After the tour we also plan to follow through with other projects set in motion some time ago – pursuing the completion of a final EP, compiling live audio and visual material for future releases, and generally doing whatever we can to make our music available for as long as there are people who wish to hear it.”

Isis will be on tour ’til the end of June with legendary hardcore turned indie turned hardcore act Cave In as well as The Melvins (they really don’t need an explanation). I don’t think I need to encourage you anymore than that but if you haven’t gotten a chance to see Isis now is a better time than ever.

5/26 San Diego, CA @ The Casbah w/ Jakob & Tombs
5/29 Eugene, OR @ Wow Hall w/ Jakob & Tombs
5/31 Vancouver, BC @ Rickshaw Theatre w/ Jakob & Tombs
6/1 Seattle, WA @ Neumo’s w/ Jakob & Tombs
6/2 Portland, OR @ Doug Fir Lounge w/ Jakob & Tombs
6/4 San Francisco, CA @ Great American Music Hall w/ Jakob & Tombs
6/5 Los Angeles, CA @ The Troubadour w/ Jakob & Tombs
6/12 Manchester, TN @ Bonnaroo Festival w/ Clutch, Melvins, Flaming Lips
6/14 Athens, GA @ 40 Watt Club w/ Melvins
6/16 Washington DC @ 9:30 Club w/ Melvins
6/17 Philadelphia, PA @ Theater Of Living Arts (TLA) w/ Melvins
6/18 New York, NY @ Webster Hall w/ Melvins
6/19 Brooklyn, NY @ Music Hall Of Williamsburg w/ Melvins
6/20 Boston, MA @ Paradise Rock Club w/ Melvins
6/21 Boston, MA @ Paradise Rock Club w/ Melvins
6/22 Portland, ME @ Port City Music Hall w/ Cave In
6/23 Montreal, QC @ Club Soda w/ Cave In

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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