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Dimmu Borgir Unveil New Album Title And Artwork

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The artwork created for the new DIMMU BORGIR album Abrahadabra by German artist / painter / graphic designer Joachim Luetke (Arch Enemy, Kreator, Sopor Aeternus) has been uploaded to the band’s MySpace page.
 
dimmuborgirabrahabra
The word “abrahadabra” (which roughly translates into “I will create as I speak”) first publicly appeared in Chapter III of Liber AL vel Legis (commonly referred to as The Book of the Law) written by Aleister Crowley in Cairo, Egypt in 1904. 

DIMMU BORGIR singer/songwriter Shagrath shares the following about the new album:
 
“After eleven months of total focus, dedication and professional team work, Darkness has been reborn.  Some people have expressed their concern about the future of the band since the departure of some members of the clan.  Let me assure you that things happen for a reason.  The black flame burns brighter than ever before.  With the mixture of our different musical preferences and the personalities involved, I will dare to say we have created a BEAST, the most detailed work to date out of our 17 years of existence.  I know it’s too much of a cliché to brag when you have a done a new album, but to put it short and simple, it’s a fist in the face to all the doubters out there.  Forward – Onward – March… ENTER THE SUPREME UNKNOWN.”
 
For the second time in the band’s career (i.e. 1996’s Stormblåst), a one-word album title breaks the tradition of a three-word album title for a new studio release dating back to DIMMU BORGIR’s 1994’s debut, For All Tid.
 
Guitarist/songwriter Silenoz has this to say on the topic:
 
“We knew there would be some big changes with this album in more than one way and since we’ve had the three word title tradition for many years now, we thought it’d make a lot of sense for us to move on from that.  It has served its purpose.  We are a band that’s all about change and moving forward.  An album title consisting of one word goes hand-in-hand with the new material – it describes both the musical and lyrical content in a more imaginary way, not to mention the unity and the everlasting flame which is DIMMU BORGIR.  Expect the unexpected!”
 
When asked about the central figure in the artwork and who/what he’s supposed to represent, artist Joachim Luetke responds:
 
“I think that’s obvious.  Since the whole ‘setting’ is located in an icy, bleak, winter-y, post-industrial era, we’re pretty close to H.P. Lovecraft’s nameless elder gods.  They’re represented by the mask’s tentacles.  In short: the mask/face personifies dominion of powers far beyond mankind.  The nameless gods witnessed the birth of our universe and they’ll watch it implode.  To them, the age of mankind is but a blink of an eye.”
 
Abrahadabra will be released in Germany on September 24th, in the rest of Europe on September 27th, and in North America on October 12th.

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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