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Combichrist Announce ‘Monsters On Tour’

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With the release of their fifth studio album Making Monsters coming on September 28, 2010, Metropolis recording artists Combichrist have announced dates for Monsters on Tour with support from Aesthetic Perfection and Ivardensphere. Tickets for the tour go on sale this weekend (tour dates below).
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Kicking off on November 3rd in New Orleans and circling around the States, this is the band’s first tour of the US after four months on the road supporting Rammstein in Europe. Combichrist’s much lauded and respected live shows are, as Crypt Magazine describes, “known for tons of energy, blood, and a rock n’ roll attitude.” BlogCritics also warns it’s “not for the faint of heart – you wouldn’t bring your grandmother to this show.”

MONSTERS ON TOUR 
COMBICHRIST w/ Aesthetic Perfection, Ivandensphere
Nov 03 Howlin’ Wolf New Orleans, LA
Nov 04 Elysium Austin, TX
Nov 06 Venue of Scottsdale Scottsdale, AZ
Nov 07 Henry Fonda Theater Los Angeles, CA
Nov 08 Slim’s San Francisco, CA
Nov 10 Wonder Ballroom Portland, OR
Nov 11 El Corazon Seattle, WA
Nov 13 Gothic Theatre Englewood, CA Nov 15 The Cabooze Minneapolis, MN
Nov 16 The Bottom Lounge Chicago, IL
Nov 17 Phoenix Concert Theatre Toronto, ONT
Nov 19 Webster Theatre Hartford, CT
Nov 20 Gramercy Theatre New York, NY
Nov 21 Polaris Philadelphia, PA
Nov 22 Fur Nightclub Washington, DC
Nov 24 Masquerade Atlanta, GA
Fueled by expressions of lust, anger, pain and hate, Making Monsters is the sound of Combichrist mastermind Andy LaPlegua ripping out his heart and plugging its still-beating deathkicks into his music, rife with hook-heavy choruses, speaker-crushing beats, and dark aggressive vocals. The first single “Never Surrender” is bound to rule the dance floors along with other floor stompers “They” and “Throat Full of Glass”. The baretoothed aggression of “Follow the Trail of Blood” (featuring Brendan Schiepatti of Bleeding Through) will immediately become a crowd favorite while the brooding “Through These Eyes of Pain” takes a much subtler approach and shows us another side of Combichrist, that of the man inside the monster.
Recorded in Totprod Studios in Atlanta, GA and produced by LaPlegua, Making Monsters takes the band beyond the aggressive techno and electro rhythms and propels them into much more primal and raw territory. “It’s beyond my personal demons, and extremely honest,” says LaPlegua.
Making Monsters will be released via Metropolis Records physically on September 28, 2010 (digital release is slated for August 31, 2010). The live incarnation is comprised of LaPlegua, longtime live drummer Joe Letz (Amen, Genitorturers, Emigrate), keyboardist Z_Marr (Hell Trash), and Trevor Friedrich (Eighteen Visions, Imperative Reaction).

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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