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Spierig’s ‘Daybreakers’ Delayed to 2009

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While Lionsgate’s SAW V is set to hit theaters October 24th, the studio has been under scrutiny after dumping Clive Barker’s THE MIDNIGHT MEAT TRAIN in discount theaters this summer, and planning a limited release for the musical-horror film REPO! THE GENETIC OPERA on November 7. In addition, J.T. Petty’s THE BURROWERS is going stright-to-disc in April. Various reasons have been cited, none have been confirmed, but there are more Lionsgate horror films that are having trouble hitting theaters – one such is the Spierig brothers’ vampire pic Daybreakers. While we’ve heard Lionsgate is very happy with the pic (and had originally planned a trilogy for the franchise), the studio has yet to confirm that the film will hit theaters. While we wait for something official, you can read some fresh news from one of the stars of the film inside.
Aussie star Vince Colosimo will be seen in the new vampire pic ”Daybreakers”, co-starring Ethan Hawke and Willem Dafoe. The movie, directed by the Spierig Bros (”Undead”), was shot in Queensland. The star chatted with Moviehole.net about the role and latest release details.

It was meant to be released at the end of October… November… but I think it’s been delayed and probably won’t be released till next year now,” he tells Moviehole, “It’s a great vampire flick. I’ve seen a lot of it – bits and pieces cut together – and it’s great.

In the film It is 2016, and it has been 10 years since the plague transformed ordinary people into Vampires dependent on human blood for survival. As the human race nears extinction and the Vampire population grows desperate for blood, a group of rebel Vampires battle military forces to save the last vestiges of humanity.

Does Colosimo get to wear a pair of plastic fangs in the film? “We’re all vampires in it – most of us are, anyway.

Thankfully he has nothing but praises for the film, but don’t all actors? “It’s actually good – and I’m not even much of a fan of vampire films. I’m not even much of a sci-fi fan. It’s been drama for me the whole way.

Click here for the full interview.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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