Movies
UPDATED: A PERFECT Look at Michael Myers’ New Mask in ‘H2’?
We all know Michael Myers is alive (but not sure how well) and will be returning in Rob Zombie’s H2. At the end of the first film it “appeared” that Laurie Strode popped a cap in his skull, but just how is her aim? Beyond the break you can check out a replica mask, which is said to be based on the actual sculpt used in the film hitting theaters August 28th. What do you guys think of it?
UPDATE: We’re being told that The Prop Shop is using some very obscure and “market” friendly wording and that this is NOT taken directly from Wayne Toth’s sculpt, as it “implies”. How’s that for karma?
The Prop Shop is selling their replica mask from Rob Zombie’s H2 for $249.99 on their website. Here’s what they write: “Our Psychopath H2 mask is based on Toth’s sculpt for the new Halloween due out in Aug. Our H2 mask is the most detailed mask we’ve ever offered! Screen accurate sculpt, paint and hair. Each mask is signed and comes with a certificate of authenticity. Very limited, 100% hand made, not mass produced.
So is this the real deal? They say so. Check it out below, click the image for more…
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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