Movies
CNN Spotlights Christopher Lee, Who Talks Modern Horror
While CNN is turning into TMZ, they still occasionally have a great feature that’s worth noting. Today their online arm posted a special interview with horror legend Christopher Lee, best remembered at Count Dracula in an array of Hammer films. Right off the bat CNN makes Lee look like he’s appalled by modern horror. “I find it quite nauseating what they do,” Lee told CNN. “The blood is all over the screen like an avalanche — the mutilation — dreadful things, and I just don’t enjoy that.” He continues, “What you don’t see is far more frightening than what you do see,” said Lee, who considers Roman Polanski’s 1968 supernatural thriller “Rosemary’s Baby” the scariest film he’s ever seen. You can read the entire article by clicking the link above or below. Hammer Films is set to make its return with The Resident, starring Hilary Swank, and Let Me In, the remake of Let the Right One In.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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