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‘Shining’-esque Supernatural-Thriller ‘House of Last Things’

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From writer-director Michael Bartlett comes House of Last Things, a supernatural-thriller drama about an unspoken tragedy and its effects on a house, its temporary caretakers and the owners, a couple on a recuperative trip to Italy.

Sounds very Shining-esque. Read inside for a super long synopsis and watch for casting news as it’s announced.


Before our very eyes an ancient forest becomes a manicured golf course. A WWII soldier hits a golf ball heavenward, nothing coming back. Like magic, the golf course becomes…

A suburban housing development. A golf ball comes down out of nowhere, smashing a window – Alan Dunne’s window. It is the golf ball of fifty years earlier.

So begins Michael Bartlett’s supernatural thriller HOUSE OF LAST THINGS, where past and present come together to weave a haunting tapestry of dark secrets and grim consequences.

ALAN is Portland’s classical music critic, which has made him good money as reflected in his spacious mid-century home. Under normal circumstances, he would be living here with his wife SARAH. As it is, Sarah is an obsessively grieving woman, struggling with an unspoken tragedy, even after months of institutionalized therapy.

Upon Sarah’s release, Alan forces her into a trip abroad, hoping to mend their strained marriage. Alan has already arranged for a house sitter – KELLY, young, beautiful and poor, sweetly caring and lonely for commitment and the better things in life. Kelly settles in, happy to be in these upscale surroundings, ominously guarded by a mysterious apple tree.

Soon, Kelly is joined by her younger brother TIM and her trashy boyfriend JESSE, who Tim worships.

It’s not long before all three are drawn into a web of repressed memories and profoundly disturbing revelations. Without knowing why, Jesse suddenly decides to kidnap eight-year-old ADAM from the supermarket parking lot. But not all is what it seems with Adam. There is nothing of his kidnapping in the news, and from the moment he arrives at the house, he seems to radiate innocent control over its hapless occupants.

Italy is not having the desired effect on Sarah. Her depression returns with a vengeance and Alan finds himself unwilling to bear her relentless obsession with their tragic past.

At the house, nightmares and flashbacks both past and present continue to unravel and haunt the young caretakers. Tim has a vision that makes him turn on Kelly. Then he finds himself disillusioned with Jesse too, who seems increasingly not to be himself anymore. Changes that start to creep into Kelly and Jesse’s personalities with the appearance of little Adam.

In Italy, as Sarah and Alan’s moment of truth nears, they are driving along a lonely road at night, Sarah at the wheel, Alan drunk from a wine tasting.

At the house, the nightmarish visions have taken their toll on Kelly who has fallen deathly ill. Jesse has shed his foul-mouthed ways and is now showing an oddly gentler, more devout side as he tends lovingly to weakened Kelly.

On the road, Alan inadvertently reveals the horrible truth behind his lies. But that truth about a boy and the freakish accident that claimed his life, proves not to be nearly as disturbing as just who that boy was.

Little Adam clearly in control now as Kelly, Jesse and Tim find themselves caught in a netherworld between hallucination and reality. Kelly and Jesse are utterly unaware as they ease eerily into becoming Adam’s surrogate parents. Tim’s future far less certain… in a HOUSE OF LAST THINGS.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Indie

“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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