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Book Review: ‘Jamie Lee Curtis: Scream Queen’ Biography

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Now in a book store near you from BearManor Media’s is David Grove’s “Jamie Lee Curtis: Scream Queen”, a biography on the legendary horror actress who got her start in such horror flicks as John Carpenter’s Halloween and the sequel Halloween II, Prom Night, The Fog and the awesome Terror Train. Bloody Disgusting’s Ryan Daley dug into the 510 page book and survived with the following review…
Jamie Lee Curtis: Scream QueenLove her or hate her, there’s no denying that Jamie Lee Curtis’ early contributions to the horror genre were nothing less than prolific. Starring in six horror films during an astounding four year period [Halloween, The Fog, Prom Night, Terror Train, Road Games, and Halloween II, ranging from 1978 to 1981], Curtis was the rare actress who managed to ride her seedy scream queen rep all the way to a bona fide acting career. Some say her later success in “legitimate” films helped remove the stigma commonly associated with horror movie actresses.

David Grove’s predictably gushing biography, Jamie Lee Curtis: Scream Queen, heaps shovelfuls of praise on Curtis, giving her sole credit for saving every single damned movie she’s ever appeared in, and the endless paragraphs of pro-Jamie propaganda can be a slog to get through. But his unauthorized biography also serves as a solid behind-the-scenes glimpse into a handful of horror classics from the early-80s, and in that regard JLC: Scream Queen is an essential read for horror die-hards.

At the very least, you should read Grove’s book for its revealing look at the making of Halloween, Halloween II, and The Fog, a trio of seminal yet strangely uneven films from writer/director/producer John Carpenter. (Sure, he didn’t “direct” Halloween II, but his prints are all over the damned thing.)

Grove lands plenty of solid sound bites from those involved with the productions, and it’s refreshing to hear Carpenter, in particular, speak with such candor about his early efforts. He concurs that 1981’s The Fog “just wasn’t very good. It wasn’t scary. It sucked.” And when asked about his reasons for green-lighting a sequel to his original Halloween, Carpenter states it was a chance “to make a lot of money and be able to make a film with complete control. Making the film was more of a business decision than a creative decision.” That’s some good shit right there.

In between the sweet interview pulls, Grove manages to get in a couple of joyous jabs of his own, berating Rob Zombie’s remake of Halloween as a “boring and tedious travesty” that was “ill-advised and unnecessary”. Let it be known that writer David Grove does not tread lightly when discussing something as sacred as Carpenter’s Halloween franchise. He’s a man after my own fucking heart.

It’s worth noting that Grove’s writing can be repetitive, as he’s willing to recycle a single quote several times, sometimes in the same chapter. In that regard, JLC: Scream Queen is a book best enjoyed in random chunks, rather than as a cover-to-cover marathon read. It’s a compelling love letter to a beloved scream queen, but the meat of the story lies in the juicy background details.

3.5 out of 5 Skulls

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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